a short note on evelyn glennie
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Evelyn Elizabeth Ann Glennie was born July 19, 1965, the only daughter of Isobel, a school teacher, and Herbert Arthur Glennie, a beef farmer. Raised outside Aberdeen, Scotland, Glennie and her two brothers helped on the family farm and, though her mother was an organist, didn‘t grow up in a particularly musical environment. She was a promising student of piano and clarinet as a child, and she was blessed with perfect pitch, the ability to identify or sing a note by ear. At age eight, Glennie started complaining of sore ears and hearing loss. Her condition steadily deteriorated, and by age 11 she needed a hearing aid, which she found distracting and later discarded. She continued to play music and found she could perceive the quality of a note by the level of the reverberations she could feel in her hands, wrists, lower body, and feet. Glennie counts as her major influences cellist Jacqueline du Pré and pianist Glenn Gould.
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A short note on evelyn glennie
Report by Nanami74 14.07.2018
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Evelyn Glennie is considered one of the world‘s foremost percussionists and is the first and only full-time solo classical percussionist. The master of more than 1, 000 traditional and unconventional percussion instruments from around the world has performed with a range of musical talents, from the Kodo Japanese drummers to Icelandic pop singer Björk, and with every major orchestra in America and Europe. Profoundly deaf (meaning severely impaired but not completely deaf) since the age of 12, the percussionist identifies notes by vibrations she feels through her feet and body; she insists her deafness is irrelevant to her ground-breaking, critically acclaimed work.
Evelyn Elizabeth Ann Glennie was born July 19, 1965, the only daughter of Isobel, a school teacher, and Herbert Arthur Glennie, a beef farmer. Raised outside Aberdeen, Scotland, Glennie and her two brothers helped on the family farm and, though her mother was an organist, didn‘t grow up in a particularly musical environment. She was a promising student of piano and clarinet as a child, and she was blessed with perfect pitch, the ability to identify or sing a note by ear. At age eight, Glennie started complaining of sore ears and hearing loss. Her condition steadily deteriorated, and by age 11 she needed a hearing aid, which she found distracting and later discarded. She continued to play music and found she could perceive the quality of a note by the level of the reverberations she could feel in her hands, wrists, lower body, and feet. Glennie counts as her major influences cellist Jacqueline du Pré and pianist Glenn Gould.