Adhyapakan air vidhyarthi
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Long before chiffons and the Alps dominated his vision, Yash Chopra was interested in what’s simmering beneath the ground. Produced by Gulshan Rai, “Deewaar” was the second film (after “Joshila”) that Chopra directed outside his own or brother B.R. Chopra’s banner. It is the film where Chopra regained his political tone after “Dharmputra”, Salim Javed came closest to perfection and Amitabh Bachchan consolidated his angry young man image.
Working on the template of “Gunga Jumna” with a strong influence of “Mother India”, Salim Javed wrote a simmering account of the times, which could simultaneously be read as family drama, action thriller or mythical text with an unmistakable underpinning of subversion. A tale of good versus evil, it was perhaps the first time that the so-called evil got the depth it deserved. It came at a time when Nehruvian romance was over, the youth was getting discontented with the State about the lack of jobs and a growing divide between rich and poor, and the government was trying to silence the voice of discontent with the Emergency.