Art and architecture of nagaland
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Through the Neufelds, Texas architect, Steve Chambers became deeply attracted to the art, design, aesthetics, and culture of Nagaland. We care about all dying cultures and, in ten years, there may be nothing remaining of this illustrative society, whose tribes occupy a mountainous state in the northeastern part of India. The Naga culture’s adornment is unsurpassed in terms of individuality and artistry. The breadth of diversity, volume, quality, symmetry and detail are unusual in tribes who possess only primitive tools with which to make their art. It takes strong traditions and dedication to specific design principles to produce textiles, body adornment, costuming, jewelry and basketry of enduring quality and design. With their stripes, grids and zigzagging lines that produce rhythmic geometric patterns, the textiles could have been designed by any number of mid-20th-century Modernists like Anni Albers, or by many of the contemporary artists today. Whimsical hats and headgear fashioned with extensions of spiked and hanging Hornbill feathers, hair and brightly colored materials remind us of the art of the surrealists.
When Harry met Tiala Marsosang in New Delhi in the 1970s, he was there because of a prescription from the counter — culture — find a personal adventure. Like many young men in the late 60s and 70s, Harry was looking for something more individually inspiring than the usual professional career. Turned off by his lock-step path through medical school and the life that often follows it, Harry dropped out and tuned in to India. His passion in life came in the form of Tiala and their son.
The name Tiala means “luck.” She originated from Ao Tribe in Nagaland, where her father was the most respected man in his tribe and one of the most successful businessmen in northeastern India. The Naga women who came to New Delhi from the eastern hill country of India were approachable for Western men. Hindu women were not. If Harry wanted to find a special someone, he needed to hang out with the warm and colorful Naga people. While appearing to be one society, Harry soon discovered that the Nagas were actually many diverse tribes. The Ao Tribe was but one of the major seventeen officially recognized clans that staked out territory in the thousands of tribal villages perched on secluded spiky ridges that range from Northeast India into Burma. While sharing many social and cultural traits, each Naga tribe was quite different from another in both their political systems and more than a dozen mutually unintelligible languages. A strong oral tradition exists and many of the languages and history are still unwritten. Tiala explains why with this Ao legend. “A great writer penned our history, but unfortunately it was placed on leather. When dogs found it, they carried it away and ate it.”
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Architecture in Nagaland- India is a country of cocktail traditions and culture scattered among the nation, if we look around India we find many wonders around and get amazed by nature and people along with foods, but can you imagine an entire state with full of adventures and mysteries, Nagaland welcomes you with its tradition and adventures.
The various crafts and art that were known to the early Nagas and are still carried out to this day are; Basketry: Naga storage and carry baskets women from fine strips of cane and bamboo are well known and sought after for their utility as well as aesthetic value.