English, asked by ushrivas525, 7 months ago

class 7
chapter 1
classical dances of India

2 ) Explain which tow facets of lord Shiva are portrayed by dances​

Answers

Answered by Shadow1357
1

Shiva's two different cosmic dances take place in one's 'Chidambaram' or in the sky of the mind, portrayed as the centre of consciousness situated at the altar of one's heart. Shiva is the symbol of 'Brahmn', the universal consciousness.

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Answered by bhavisr
2

Answer:

The classical form of the depiction appears in stone reliefs, as at the Ellora Caves and the Badami Caves, by around the 6th century.[4][5] Around the 10th century, it emerged in Tamil Nadu in its mature and best-known expression in Chola bronzes, of various heights typically less than four feet,[6] some over.[7] The Nataraja reliefs have been identified in historic artwork from many parts of South Asia, in southeast Asia such as in Bali, Cambodia, and in central Asia.[8][9][10]

The sculpture is symbolic of Shiva as the lord of dance and dramatic arts,[8] with its style and proportions made according to Hindu texts on arts.[6] It typically shows Shiva dancing in one of the Natya Shastra poses, holding Agni (fire) in his left back hand, the front hand in gajahasta (elephant hand) or dandahasta (stick hand) mudra, the front right hand with a wrapped snake that is in abhaya (fear not) mudra while pointing to a Sutra text, and the back hand holding a musical instrument, usually a damaru.[6] His body, fingers, ankles, neck, face, head, ear lobes and dress are shown decorated with symbolic items, which vary with historic period and region.[1][11] He is surrounded by a ring of flames, standing on a lotus pedestal, lifting his left leg (or in rare cases, the right leg) and balancing / trampling upon a demon shown as a dwarf (Apasmara or Muyalaka[2]) who symbolizes ignorance.[6][12] The dynamism of the energetic dance is depicted with the whirling hair which spread out in thin strands as a fan behind his head.[13][14] The details in the Nataraja artwork have been variously interpreted by Indian scholars since the 12th century for its symbolic meaning and theological essence.

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