Conclusion of project on Indian architecture, sculpture and painting
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The interaction between stylistic processes and unifying themes taken as crucial to the aesthetic personality of the era. The three stylistic processes detected in the architecture and art works of Southern India under the Vijayanagara and Nayaka periods are not conceived as mutually exclusive traditions, but rather as overlapping and interacting movements. Southern Indian palaces are built in a style that incorporates techniques, forms and decorative motifs derived from the architecture of the Bahmani kingdom. An investigation of the means by which artistic coherence was forged between different categories of buildings, sculptures and paintings draws attention to a number of unifying themes that are used repeatedly at different scales and in different media. The artistic legacy of the Vijayanagara and Nayaka periods may best be estimated by considering how this tradition survived into later times. The renewed fortunes of several local dynasties in the nineteenth century led to the revival of large-scale building projects.
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