Music, asked by petchye, 7 months ago

create a one stanza musical composition in which musical elements are patterned to the music of the 20th century.choose whether it is impressionism,expressionism,neo classicism,avant garde,modern nationalism,electronic music,and chance music.

Answers

Answered by rinkusinghamit37
0

Answer:

1. Arnold Schoenberg, Los Angeles, 1948

2. Igor Stravinsky

Explanation:

  1. Many composers reacted to the Post-Romantic and Impressionist styles and moved in quite different directions. The single most important moment in defining the course of music throughout the century was the widespread break with traditional tonality, effected in diverse ways by different composers in the first decade of the century. From this sprang an unprecedented “linguistic plurality” of styles, techniques, and expression. In Vienna, Arnold Schoenberg developed atonality, out of the expressionism that arose in the early part of the 20th century. He later developed the twelve-tone technique which was developed further by his disciples Alban Berg and Anton Webern; later composers (including Pierre Boulez) developed it further still. Stravinsky (in his last works) explored twelve-tone technique, too, as did many other composers; indeed, even Scott Bradley used the technique in his scores for the Tom and Jerry cartoons.
  2. Italian composers such as Francesco Balilla Pratella and Luigi Russolo developed musical Futurism. This style often tried to recreate everyday sounds and place them in a “Futurist” context. The “Machine Music” of George Antheil (starting with his Second Sonata, “The Airplane”) and Alexander Mosolov (most notoriously his Iron Foundry) developed out of this. The process of extending musical vocabulary by exploring all available tones was pushed further by the use of Microtones in works by Charles Ives, Julián Carrillo, Alois Hába, John Foulds, Ivan Wyschnegradsky, and Mildred Couper among many others. Microtones are those intervals that are smaller than asemitone; human voices and unfretted strings can easily produce them by going in between the “normal” notes, but other instruments will have more difficulty—the piano and organ have no way of producing them at all, aside from retuning and/or major reconstruction.

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