Critical analysis of Hyperion by
Sir Keats
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Hyperion, fragmentary poetic epic by John Keats that exists in two versions. The first was begun in 1818 and published, unfinished, in 1820. The second, The Fall of Hyperion, a revised edition with a long prologue, was also left unfinished and was published posthumously in 1856. The poem is the last of Keats’s many attempts to come to terms with the conflict between absolute value and mortal decay.
The first poem narrates the story of Hyperion, the sun god of the Titans, the earlier race of gods who were supplanted by the Olympians. When the poem begins, the Titans have already been deposed. Their one hope for regaining their former influence lies with Hyperion, who has retained his powers. But the Titans’ era ends with the coming of Apollo, the Olympian god of poetry, music, and knowledge.
The Fall of Hyperion is narrated by the poet, who, in a dream, is allowed to enter a shrine. The goddess Moneta reveals to the dreamer that the function of the poet in the world is to separate himself from the mere dreamer and to enter into and embrace the suffering of humanity.