Describe taal Chautala and rupak with thah and dugun
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A tala does not have a fixed tempo (laya) and can be played at different speeds. In Hindustani classical music a typical recital of a raga falls into two or three parts categorized by the quickening tempo of the music; Vilambit (delayed, i.e., slow), Madhya (medium tempo) and Drut (fast).
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