Describe the dialogue between man and nature ??
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Mud, earth, clay and dung – tactile, malleable forms which are alien matter, far removed from the modern, concrete spaces we inhabit today. Artist Madhavi Subrahmanian however, uses these very organic materials to build her sensory world, in the ongoing show ‘Mapping Memory’. Broadly broken into 11 parts with distinct labels, the show weaves the story of her many journeys, of time and distance, between cities, countries, home and studio, as well as past and present.
Shifting shadows of trees that once stood sturdy on a certain stretch of the street, but have now been cleared to make way for newer construction, are likened to memories that were once living, breathing realities, but now exist only in a fast fading past. At the core of the work lies a “dialogue between urbanisation and nature”, expresses Subrahmanian. Change to her is a constant, both in professional and personal life. First, as a ceramic artist who creates by way of moulding, and second as a frequent traveller between Mumbai, her city of birth, and Singapore, where she now resides. It is but natural then, as an observer of perpetual transformation, that an expression/s of it finds its place in her narrative.
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Ceramic artist Madhavi Subrahmanian’s third show is a meditation on her migrant meanderings and fleeting impressions of places and thoughts, shaped in clay
Mud, earth, clay and dung – tactile, malleable forms which are alien matter, far removed from the modern, concrete spaces we inhabit today. Artist Madhavi Subrahmanian however, uses these very organic materials to build her sensory world, in the ongoing show ‘Mapping Memory’. Broadly broken into 11 parts with distinct labels, the show weaves the story of her many journeys, of time and distance, between cities, countries, home and studio, as well as past and present.
Explanation: