Difference and Similarity between Frida Kahlo and Johannes Vermeer
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However, the Frida Kahlo on the left side is very different – this is the Frida that Rivera no longer loves, when her blood has long lost its miraculous quality. In her garish European dress, she is far removed from her Mexican heritage. Rather than gentility, this is an image of death and hostility – this Frida is clearly bleeding to death. Her heart has been ripped open through her torn dress, while the veins that once transported that strong emotional bond between husband and wife have been brutally severed with surgical scissors still at hand. Such pain set against peaceful happiness makes the disposition of the two Frida’s entirely contradictory – in theory, isolating them from each other.
Yet, although polarised, the two Frida’s are intimately connected. They are bound not only by their hands, but also by the blood that travels in the vein between them. Years after her accident and troubled health as a child, Frida confessed that through the agony, trauma, and incessant loneliness of her youth, she had become extremely close to an imaginary friend to whom she would tell all her secrets and pain – an imaginary friend, who, according to the artist, knew everything about her. It is not excessive to suppose, in light of this work, that Frida created a friend who was in fact another vision of herself. As the two women sit connected by flesh and blood, although dialectic, their identical faces appear to perfectly understand the happiness and pain of the other.
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Yet, although polarised, the two Frida’s are intimately connected. They are bound not only by their hands, but also by the blood that travels in the vein between them. Years after her accident and troubled health as a child, Frida confessed that through the agony, trauma, and incessant loneliness of her youth, she had become extremely close to an imaginary friend to whom she would tell all her secrets and pain – an imaginary friend, who, according to the artist, knew everything about her. It is not excessive to suppose, in light of this work, that Frida created a friend who was in fact another vision of herself. As the two women sit connected by flesh and blood, although dialectic, their identical faces appear to perfectly understand the happiness and pain of the other.
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Frida Kahlo was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country's popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society.
Johannes Vermeer, original name Jan Vermeer van Delft, was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague.
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