diversity of nature detailed article
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The diversity of Mother Nature has through evolution always surprised by giving many intrinsic forms which still continue to emerge. Intact nature provides not only dynamic and unusual organic shapes but also delivers liquids which are essential for our existence and have been a challenging inspiration in architecture and design. These organic materials can dictate the shape of an environment and a form of a design. Liquids can be metaphorically interpreted as continuous curved lines which adapt to fluid materials where in the built world the complexity of curvatures remains intact but the materials used are mostly solid. The result of such forms is an organic, nonlinear composition whether it is applied to the interior or to the exterior.
The term organic denotes a living entity but in terms of architecture may sometimes refer to dynamic, curved or fluid designs although it should really mean the type of architecture that relates or consists of living matters. This dissertation will mostly convey terms such as fluid, liquid, curvilinear, curved and complex curvatures in terms of a shape in the fields of design and architecture. All of these in relationship with solid materials can have different and unrepeatable experience of a space. This fluidity deviates from straight lines and right angles, forms which we are used to in everyday life, therefore fluid spaces might bring innovations in the perception of architecture and interior spaces.
There are many important factors whether such fluid architecture inspired by liquids and organic forms will be tangible in the future, these factors are technology, knowledge, concept, but the most important feature will be the acceptance of these new forms. The initial idea for this dissertation sources from the fact that the evolution of the human species started in a liquid. As this theory has become more applicable in the past decade with extravagant designs it could be extensively developed and may even become a solution in the future of architecture and design. Complex organic forms, underwater hotels, liquid materials etc, are becoming a challenge for architects and an interest for the people. There are some creative architects who are discovering new areas of such complexity and materiality throughout a design and their works will be explained in the following chapters. Some architects actively participate in the progression of design and some remain at making conceptual statements only. If the latter becomes a reality it will also depend on the perception of an individual. This perception and emotions together with functionality will be introduced with curvatures in relation to materials from primitive men, ancient Greece to current architecture. On one hand, some tendencies of using curvatures in a space came naturally because of the endless organic environment but on the other hand, it still feels unnatural. It seems that a straight line has always dominated and has become universal in architecture, therefore the interest lies in curvilinear spaces and their effect on its users. Some spaces can be so exaggerated with complexity that they can give a melting effect. This illusion has also brought about new ideas of a space where rigid furniture coincides with solid architecture, therefore blurring the lines between unusual and traditional lives. Uncertainties and challenges in the human perception of such spaces could be potentiated with real liquids. Perhaps strong, utopian and futuristic ideas will force technology, design and architecture to stop mimicking liquids and start controlling them.