eassy on mother india
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At the beginning sequence in Mother India, Mehboob directs the camera that pans slowly right to left on a group of walking men who wear white clothing and are visiting old Radha who is sitting outdoor on a porch. The camera moves from far shot to mid shot when one of the men talks to her at her ear. The camera is above his shoulder and closes in on her face and the camera angle is looking down to her face so that it shows all her wrinkles and she looks up at his face slowly. The shot changes to mid shot and shows some of the men and her. Behind her back, a man is recording while these people are talking.
The camera dissolves to the river and then goes to a far shot and pans right to left quickly. And then the scene changes to outdoof in of Radha’s neighborhood. A far shot shows lots of people are gathering and watching Radha’s celebration. The camera has a crane shot to close in on her face to show receiving an award. A man brings a flower necklace and tries to hang in on her neck, she refuses it, while this happening, the camera is still in close up on her face. However, the man hangs the flowers on her shoulders and she smells them and remembers her wedding. Fast music changes to a slow and mournful tempo.
The next scene is a dissolved and disjunctive shot from old Radha to young Radha who is at her wedding. Her husband hangs a flower necklace on her. It is a far shot that shows the scene changes to a neighborhood in Bombay. Lots of people gather and have a celebration for her wedding and then the camera dissolves to a mid shot that shows Shamu and Radha are sitting and hold hands. Also the camera dissolves to another mid shot in which Shamu turns and walks to the camera and Radha follows him. And then the shot dissolves to another scene in which Radha walks to the camera and Shamu follows her in a mid shot.
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