Explain the social and religious beliefs of Mesopotamian people.
Answers
Mesopotamian religion was polytheistic, with followers worshipping several main gods and thousands of minor gods. The three main gods were Ea (Sumerian: Enki), the god of wisdom and magic, Anu (Sumerian: An), the sky god, and Enlil (Ellil), the god of earth, storms and agriculture and the controller of fates. Ea is the creator and protector of humanity in both the Epic of Gilgamesh and the story of the Great Flood.
Social belief
The population of ancient Mesopotamian cities varied greatly. In c. 2300 BCE Uruk had a population of 50,000 while Mari, to the north, had 10,000 and Akkad 36,000 (Modelski, 6). The populations of these cities were divided into social classes which, like societies in every civilization throughout history, were hierarchical. These classes were: The King and Nobility, The Priests and Priestesses, The Upper Class, the Lower Class, and The Slaves.
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Answer:
Explanation:
Mesopotamian religion was polytheistic, with followers worshipping several main gods and thousands of minor gods. The three main gods were Ea (Sumerian: Enki), the god of wisdom and magic, Anu (Sumerian: An), the sky god, and Enlil (Ellil), the god of earth, storms and agriculture and the controller of fates. Ea is the creator and protector of humanity in both the Epic of Gilgamesh and the story of the Great Flood.
In the latter story, Ea made humans out of clay, but the God Enlil sought to destroy humanity by creating a flood. Ea had the humans build an ark and mankind was spared. If this story sounds familiar, it should; foundational Mesopotamian religious stories about the Garden of Eden, the Great Flood, and the Creation of the Tower of Babel found their way into the Bible, and the Mesopotamian religion influenced both Christianity and Islam.
Each Mesopotamian City had its own patron god or goddess, and most of what we know of them has been passed down through clay tablets describing Mesopotamian religious beliefs and practices. A painted terracotta plaque from 1775 B.C. gives an example of the sophistication of Babylonian art, portraying either the goddess Ishtar or her sister Ereshkigal, accompanied by night creatures.