English, asked by swarna23k, 2 months ago

give a detailed description of the surroundings of the inn by the day and by night in the lesson golden drugget​

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Answered by Shreya1816
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The Golden Drugget (1918)

Primitive and essential things have great power to touch the heart of the beholder. I mean such things as a man ploughing a field, or sowing or reaping; a girl filling a pitcher from a spring; a young mother with her child; a fisherman mending his nets; a light from a lonely hut on a dark night.

Things such as these are the best themes for poets and painters, and appeal to aught that there may be of painter or poet in any one of us. Strictly, they are not so old as the hills, but they are more significant and eloquent than hills. Hills will outlast them; but hills glacially surviving the life of man on this planet are of as little account as hills tremulous and hot in ages before the life of man had its beginning. Nature is interesting only because of us. And the best symbols of us are such sights as I have just mentioned-- sights unalterable by fashion of time or place, sights that in all countries always were and never will not be.

It is true that in many districts nowadays there are elaborate new kinds of machinery for ploughing the fields and reaping the corn. In the most progressive districts of all, I daresay, the very sowing of the grain is done by means of some engine, with better results than could be got by hand. For aught I know, there is a patented invention for catching fish by electricity. It is natural that we should, in some degree, pride ourselves on such triumphs. It is well that we should have poems about them, and pictures of them. But such poems and pictures cannot touch our hearts very deeply. They cannot stir in us the sense of our kinship with the whole dim past and the whole dim future. The ancient Egyptians were great at scientific dodges--very great indeed, nearly as great as we, the archaeologists tell us. Sand buried the memory of those dodges for a rather long time. How are we to know that the glories of our present civilisation will never be lost? The world's coal-mines and oil-fields are exhaustible; and it is not, I am told, by any means certain that scientists will discover any good substitutes for the materials which are necessary to mankind's present pitch of glory. Mankind may, I infer, have to sink back into slow and simple ways, continent be once more separated from continent, nation from nation, village from village. And, even supposing that the present rate of traction and communication and all the rest of it can forever be maintained, is our modern way of life so great a success that mankind will surely never be willing to let it lapse? Doubtless, that present rate can be not only maintained, but also accelerated immensely, in the near future. Will these greater glories be voted, even by the biggest fools, an improvement? We smile already at the people of the early nineteenth century who thought that the vistas opened by applied science were very heavenly. We have travelled far along those vistas. Light is not abundant in them, is it? We are proud of having gone such a long way, but...peradventure, those who come after us will turn back, sooner or later, of their own accord. This is a humbling thought. If the wonders of our civilisation are doomed, we should prefer them to cease through lack of the minerals and mineral products that keep them going. Possibly they are not doomed at all. But this chance counts for little as against the certainty that, whatever happens, the primitive and essential things will never, anywhere, wholly cease, while mankind lasts. And thus it is that Brown's Ode to the Steam Plough, Jones' Sonnet Sequence on the Automatic Reaping Machine, and Robinson's Epic of the Piscicidal Dynamo, leave unstirred the deeper depths of emotion in us. The subjects chosen by these three great poets do not much impress us when we regard them sub specie aeternitatis. Smith has painted nothing more masterly than his picture of a girl turning a hot-water tap. But has he never seen a girl fill a pitcher from a spring? Smithers' picture of a young mother seconding a resolution at a meeting of a Board of Guardians is magnificent, as brushwork. But why not have cut out the Board and put in the baby? I yield to no one

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