Question

Highlight the salient features of romanticism with illustrations from the poem prescribed for study.

Answer 1

Answer:

PLEASEMARK MY ANSWER BRAINLIEST ANSWER

Answer 2

Romanticism is the name of the prevailing development of writing and the diverse forms of language-in particular music and painting-in the period from the 1770s to the mid 19th century. It is viewed as having changed imaginative styles and practices

Explanation:

Salient Features of Romanticism

• The significance of individual inclination and self-articulation. Romantic verse is one of the heart and the feelings, exploring 'reality of the  creative mind' as against the logical truth. "The 'I' voice is focal; it is the artist's recognition and emotions that issue".
• A practically strict reaction to nature, Romantics were worried that nature should be regarded logically and and the living power made by the Creator or as divine here and there, to be rejected at mankind's threat. Shelley was a non-believer and Wordsworth was a pantheist some time ago (the belief that God is in all things). A bit of their verse praised nature's excellence or the fought the offensiveness of the century's development of the industrialization: machinery, manufacturing sites, ghetto conditions, contamination, etc.
• A limit with regards to ponder and therefore a respect for the blamelessness and freshness of the vision of youth.
• The appreciation for 'crude' workmanship types – e.g. in the works of early artists, traditional songs and popular songs. Several Romantics looked to prior times, either in the Medieval era or in Greek and Roman folklore to find inspiration.
• Romanticism has a passion for and compassion for the untouchable in society: the Romantic verse particularly shows tramps, homeless people, over the top characters and poor people and dismissed. A thinking of the author as a visionary figure with an essential job to to carry out as prophet is a Salient Feature of Romanticism.
• There are several remarkable qualities or highlights of romanticism, and romanticism is a tenet which says that workmanship and writing should be freed from the laws of old style and neo old styles. They are a creative, primitive or immediate love for nature, a passion for the past or for the remote, effortless articulation, progressive energy. They are very creative minds - independence, subjectivity, super-naturalism,  love for opportunity and freedom, medievalism, and transcendence of lyricism.
• The romantic verse is contemplative and whimsical. Sometimes it is characterized by luxury. Romantic people are deeply imaginative. They don't think the writers should be earthly, realistic and real. They are really creative. In their high-taking and boundless imagination, they are looking for a perfect condition for individuals.
• Any writing about romanticism is abstract. It's an exit from the craftsman's inner urges. The speaker could not care less about laws and guidance. He gives free articulation to his feeling. Instead of understanding the rules, the attention is on inspiration and establishment. The writer makes his own lavish composition.
• The romantic verse is negative in tone daily. A romantic will protest against the circumstances that occur today. The medieval or Middle Ages may have a special affection. Throughout his verse his interest for the distant and inaccessible is undisputed. He will be thinking with the coloring, grandeur and joy of the past. Maybe he would like to avoid the ignoble things of today. He will seek to escape from his very own innovative universe creation, and frequently he escapes into the past.
• Romanticism is a rebel against all phony. It signifies straightforwardness in treatment and subject. The romantic people treat the normal man and language for their inspiration. They dispose of the graceful style of 18th century artists. They do not acknowledge Heroic Couplet as the weapon of their verse. They utilise the  ditty meter,  clear refrain,and Spenserian Stanza. They inexhaustibly compose verse, work and tribute. They pursue the style of  Spenser, Chaucer, and Milton who endure an obscuration at the time of18th century. Before long they achieve  wide ubiquity .