Question

how are pakhavaj, mridangam, tabla, and dholak different from each other?? Explain in detail

Answer 1

Answer:

Mridangam is often depicted as the instrument of choice for a number of deities including Ganesha and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial tandava dance, causing a divine rhythm to resound across the heavens.

Over the years, the mridangam evolved to be made of different kinds of wood due to its increased durability, and today, its body is constructed from wood of the jackfruit tree. It is widely believed that the tabla, the mridangam's Hindustani musical counterpart, was first constructed by splitting a mridangam in half. With the development of the mridangam came the evolution of the Tala (rhythmic) system. The system of talas (or taalams) in Carnatic music may be the most complex percussive rhythm system of any form of classical music .

Pakhawaj was developed in 14th century during the reign of Akbar. There is great uncertainty about the exact origins and development of Pakhawaj.

If you see closely basically Pakhawaj is kind of modified Mridangam with basic constructional differences. Pakhawaj is the instrument from which tabla originated. And dholak originated from Mridangam (You can say). Well all these instruments are interconnected.

Pakhawaj:

Mridangam:

Dholak:

As you can see the difference is that Pakhawaj has a nearly cylindrical shape with strings attached to the faces and if you watch closely there are those wooden pegs also present. The wooden pegs help in the tuning of the instrument. Also both the faces have nearly the same diameter so the notes of both faces are nearly the same. The Pakhawaj has a low, mellow tone, rich in harmonics. Performer places it horizontally on a cushion in front of him, where he is sitting crossed legged. The larger side comprising bass-skin is played with the left hand, the treble skin with the right. The bass side is smeared with wet wheat dough which creates the clear bass sound that is a distinct feature of Pakhawaj. Pakhawaj is considered to be traditional in its built and rich in sound.

Mridangam is characterized by a rich and varied tone. Some strokes evoke clear pitched sounds while others evoke unpitched sounds. The following discussion is based upon the pitched strokes because they more clearly show the tonal differences.The size of the mridangam is one of the important factor for the sound it produces. The pitch of the mridangam varies according to its size.

Dholak whereas is a derived instrument. The Dholak (sometimes dholaki) is a classical North Indian hand drum. A dholak may have traditional lacing or turnbuckle tuning. The dholak has a simple membrane and a handle on the right-hand side. The left-hand membrane has a special coating on the inner surface. This coating is a mixture of tar, clay and sand (dholak masala) which lowers the pitch and provides a well-defined tone. The dholak is the main accompaniment instrument of the Qawwali.

The dholak is often used in Filmi Sangeet or Indian film music.

The dholak The dholak is a double sided drum. The body of the instrument is made of one piece of wood. Hollow, the body has two opertures of different size, one, small, that will generate high pitched sounds and another, wider, for low pitched sounds. The two skins are stretched together by iron clad. It does not has as varied sounds as that in a mridangam or a pakhawaj. It is easy to learn and one who knows any of the two can easily play dholak as the fundamentals are the same.

Sorry For the long answer, I hope it helps.

Answer 2

Answer:

• Pakhawaj has a nearly cylindrical shape with strings attached to the faces, and if you watch closely, those wooden pegs are also present.
• The wooden pegs help in the tuning. Also, both the faces have nearly the same diameter, so the notes of both faces are almost the same.

• The Pakhawaj has a low, mellow tone and is rich in harmonics. The performer places it horizontally on a cushion in front of him, where he is sitting crossed-legged.
• The larger side comprising bass skin is played with the left hand and the treble skin with the right.
• The bass side is smeared with the wet wheat dough, which creates a clear bass sound that is a different characteristic of Pakhawaj. It is considered to be traditional in its building and rich in sound.

• A rich and varied tone characterizes Mridangam.

• Mridangam is often known as the instrument of choice for several deities, including Ganesha and Nandi, who are Shiva's followers.
• Nandi is said to be played by the Mridangam during Shiva's primordial tandava dance, causing a divine rhythm to resound across the heavens.

• Over the years, Mridangam is evolved to be made up of different kinds of wood due to its increased durability, and today, it is constructed from jackfruit tree wood.
• It is widely believed that the tabla and the Mridangam were first created by splitting a mridangam in half.
• With the development of the Mridangam then came the evolution of the Tala (rhythmic) system.
• The system of talas (or teams) in Carnatic music may be the most complex percussive rhythm system of any form of classical music.

• The dholak is a two-sided hand drum, a folk percussion instrument.
• This instrument is about 45 cm in length and 27 cm in breadth and is widely used in qawwali, kirtan, lavani and bhangra.
• The drum has two different-sized drumheads. The smaller drumhead is made up of goat skin for sharp notes, while the bigger drumhead is made up of buffalo skin for low pitch.

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