History, asked by Dineshyangnoor1569, 10 months ago

How did the notre dame cathedral help in the medieval period?

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Answered by devika61
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Explanation:

Built on the site of a Roman basilica and restored over a dozen centuries, Notre Dame long reigned in splendor as the cultural, intellectual, religious, and economic center of Paris, the most powerful city in northern Europe during the Middle Ages. The cathedral’s powerful towers, grand gargoyles, flying buttresses and soaring interior represent amazing achievements in medieval Gothic architecture. Its magnificent stained glass, sumptuous art, and glorious music have inspired awe and creative expression throughout the ages.

Friday, November 4, 2011, 7:30 to 10:00 pm

Notre-Dame of Paris and Manifest Destiny.

Stephen Murray (Medieval Art, Columbia University).

The great cathedral dominates the urban skyline, overawing us with its boat-like silhouette, powerful towers, menacing gargoyles and velvety-dark interior spaces pierced by shafts of brilliantly colored light from high windows. For us, Notre-Dame of Paris appears to represent the certainty of France becoming France, with Paris as its capital. However, when this great church was begun the Capetian kings of France were struggling for control over a city that was not yet capital of a France that was not yet France, while their rivals, the Plantagenets, controlled a mighty empire extending from Scotland to the Pyrenees. Can we return to the uncertainties of the mid-twelfth century and the start of work on a great church that was quite different from anything ever seen before and quite different from the Notre-Dame we know? Are there surprises to be found in this, the best-loved and most visited of all the great cathedrals? And how is it that Gothic, born in such precarious circumstances, can create such a powerful illusion of manifest destiny?

Performance

The Cathedral and the Lady.

Clerestory: Jesse Antin, Kevin Baum, John Bischoff, Dan Cromeenes, Chris Fritzsche, Tom Hart, David Kurtenbach, Clifton Massey, Jim Monios, and Justin Montigne. Introduced by Clifford (Kip) Cranna (Director of Music Administration, SF Opera)

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