English, asked by NubinX, 2 months ago

how has the poet presnted the intellectual and spiritual beauty of the woman in the poem"she walks in beauty"?​

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Answered by ShreshthaSaha
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Answer:

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Explanation:

Lord Byron’s poem “She Walks in Beauty” was written in praise of a beautiful woman. History holds that he wrote it for a female cousin, Mrs. Wilmot, whom he ran into at a party in London one night when she was in mourning, wearing a black dress with glittering sequins. The poem uses images of light and darkness interacting to describe the wide spectrum of elements in a beautiful woman’s personality and looks.

Unlike common love poetry, which makes the claim that its subject is filled with beauty, this poem describes its subject as being possessed by beauty. This woman does have beauty within her, but it is to such a great degree that she is actually surrounded by it, like an aura. To some extent, her positive attributes create her beauty, and so the poem makes a point of mentioning her goodness, her serenity, and her innocence, which all have a direct causal effect on her looks. There is, though, another element: the “nameless grace” that is a type of beauty bestowed by heaven, as in the common expression “she is graced by beauty.” The woman described in this poem is so completely beautiful, inside and out, that Byron goes out of his way to mention all of the various possible sources, to show that he appreciates her beauty to its fullest.

The beauty described here is a result of the woman being well-rounded, to such an extent that the second stanza notes how the very slightest difference—a shade or a ray—would alter her beauty drastically, cutting it in half. While a more conventional sense of beauty might list only the woman’s positive attributes, it is typical of Byron’s romantic sensibilities to see beauty as a mixture of light and darkness, admitting that the sinister, mysterious darkness of night has as much to do with a woman’s appeal as the positive aspects associated with light. Pure light, according to this vision, is so limited in its relation to beauty as to be “gaudy.”

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