Music, asked by charisse11, 7 months ago

in what aspects of musicality does philippines and indonesia are similar​

Answers

Answered by vasundaraa7535
3

Answer:

music of Indonesian.

The music of Indonesia demonstrates its cultural diversity, the local musical creativity, as well as subsequent foreign musical influences that shaped contemporary music scenes of Indonesia.

Nearly thousands of Indonesian islands having its own cultural and artistic history and character.

This results in hundreds of different forms of music, which often accompanies by dance and theatre.

music of Phillppine.

Philippine gong music can be divided into two types: the flat gong commonly known as gangsà and played by the groups in the Cordillera region and the bossed gongs played among the Islam and animist groups in the southern Philippines.

Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines, along with its varied accompanying ensembles.

Different groups have different ways of playing the kulintang.

Two major groups seem to stand-out in kulintang music.

These are the Maguindanaon and the Maranaw. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China before the 10th century CE, or more likely, to the introduction of bossed gong chimes from Java in the 15th century.

Nevertheless, the kulintang ensemble is the most advanced form of ensemble music with origins in the precolonial epoch of Philippine history, and is a living tradition in southern parts of the country.

The tradition of kulintang ensemble music itself is regional, predating the establishment of present-day Philippines, Indonesia and Malaysia.

It transcends religion, with Buddhist, Hindu Animist, and Christian ethnic groups in Borneo, Flores and Sulawesi playing kulintangan; and Muslim groups playing the same genre of music in Mindanao, Palawan and the Sulu archipelago.

It is distantly related to the gamelan ensembles of Java and Bali, as well as the musical forms in Mainland Southeast Asia, mainly because of the usage for the same bossed racked gong chimes that play both melodic and percussive.

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