Question

Indian folk theatre can actually be divided into two broad categories the religious and the
secular. While the religious folk theatres mainly evolved from stories from history, religion and myth,
the secular folk theatre actually emerged as a typical form of entertainment. The two forms like the
religious and the secular folk theatre therefore started working together whilst influencing each other
to create a fresh type of Indian natya.
Every state in India has its own distinctive form of folk theatre. Variously known as the Jatra in
Orissa, Bengal and Eastern Bihar, Tamasha in Maharashtra, Nautanki in Uttar Pradesh, Rajasthan
and Punjab, Bhavai in Gujarat, Yakshagana in Karnataka, and Therukuttu in Tamil Nadu, Indian folk
theatre with its sheer vibrancy since the age-old days has reached out to all. Artistically, folk theatre in
India eloquently portrayed the 'nine rasas' of the Indian drama. Chhau, Lion dance, Kuchipudi, Santhal
dance, all contributed in weaving that magic of Indian folk theatre which not only stood out as an
eminent theatre pattern but also depicted life, love, death, virtues and vice.

The typical concept of stage designing of folk theatre in India once again points towards its
simplicity. The actors of the Indian folk theatre generally perform on a make-shift stage. This supports
them in conversing with the audience during the course of the play as audience participation is an
essential part of Indian folk theatre. The stage for the folk theatres is generally a colossal empty
space, which the actors skilfully control and use to complement their dialogues and symbolic gestures.
Elaborate make-up, masks, chorus, loud music and folk dance are indeed the hallmark of Indian folk
theatre.
With its sheer vitality therefore, Indian folk theatre is just not a theatre form but a lot more. It is
the chronicle of Indian drama where for the very first time, theatre broke the barrier of orchestra and
pits and reached the masses in a whole new way through the brilliance of music, song and folklore.



fill in the blanks with the help of the text given above.
the author talks about the___________ of folk theatre, that has developed from _______________ and the other that is_______________ in its origin.


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Answer 1

Kya bakwas hai ye?

Explanation:

please ask question!

Answer 2

Answer:

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