Question

Make notes using headings and sub-headings of any one of the following
passage:-
On the very first day of the shooting of Pather Panchali, I remember I had
a scene where the boy Apu went looking for his sister into a field of tall grass. In
the very first shot all that the boy had to do was to walk a few steps, stop, look
this way and that, and then walk again. Little did I know then that it was twice as
hard to achieve impeccability in a shot like that than in a shot of, say, a charging
cavalry. With the latter, all you need is a cavalry that charges. In Hollywood, such
a shot, or even an entire scene of battle, would normally be entrusted to what is
known as the second-unit director--a sturdy young fellow, generally, with not
much brains but a lot of stamina. William Wyler was away planning interiors in
Hollywood while the second-unit director shot the entire chariot race somewhere
in Italy. But if you are faced with a scene of a boy looking for his sister in a field
of tall grass, you are faced with a particular state of mind that produces a special
kind of walk, and a special kind of stopping and turning of the head. You also
have to calculate the exact duration of the halt, of the exact duration of each turn
of head, of the exact moment of resumption of walk. Of course, all this is further
complicated if you are dealing with someone who has never faced a camera
before, and with whom it would be futile to discuss outer manifestations of inner
feelings.

Answer 1

Answer:

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