Name two weaving communities of Thanjavur?
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Well known dancer-choreographer Lakshmi Vishwanathan explores the world of the Devadasi, the historical context and the changing face of the tradition through her new book Women of Pride. Presenting exclusive excerpts.
Thanjavur, the capital, extended its influence over the whole of South India. The fame and fortune of dancers and courtesans rose and fell with the royal dynasties of the region. The early Pallava, Chola and Pandya rule of South India which spanned several centuries from the seventh to the 13th, had laid the foundation for a great civilisation. The legacy of art and architecture, nurtured by these dynasties defined the character of South India. In and around the great temples grew every kind of intellectual and artistic activity. With Hindu religion becoming the passion of both the king and the people, every art form became a tool to serve God. Thus was the Devadasi, the servant of the God re-invented as the Rajadasi, the royal court dancer. Ritual worship was conducted with greater pomp in the monumental temples…
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Devadasis were at the very centre of this vast and rich cultural transformation caused by the re-discovery of a lost heritage. Their music and dance served two main purposes. One was to sanctify the temple. The other was to serve the king. Besides, they were also trained to lend charm and beauty to the lives of many, including noblemen and priests.
Pivotal role
The pivotal role of the Devadasi, a symbol of good luck because of her auspicious presence as the wife of the god, was important. Both God and his manifestation on earth, namely the king, had to be shown appropriate ritual respect. Waving the lighted lamp, the ‘Aarathi’, in the presence of the king and God, warded off the effects of the evil eye. It also ensured prosperity to the nation. The harbinger of this good fortune had to be the perennially auspicious woman, the Nityasumangali or Devadasi…
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for more follow me and mark brainliast
Thanjavur, the capital, extended its influence over the whole of South India. The fame and fortune of dancers and courtesans rose and fell with the royal dynasties of the region. The early Pallava, Chola and Pandya rule of South India which spanned several centuries from the seventh to the 13th, had laid the foundation for a great civilisation. The legacy of art and architecture, nurtured by these dynasties defined the character of South India. In and around the great temples grew every kind of intellectual and artistic activity. With Hindu religion becoming the passion of both the king and the people, every art form became a tool to serve God. Thus was the Devadasi, the servant of the God re-invented as the Rajadasi, the royal court dancer. Ritual worship was conducted with greater pomp in the monumental temples…
*
Devadasis were at the very centre of this vast and rich cultural transformation caused by the re-discovery of a lost heritage. Their music and dance served two main purposes. One was to sanctify the temple. The other was to serve the king. Besides, they were also trained to lend charm and beauty to the lives of many, including noblemen and priests.
Pivotal role
The pivotal role of the Devadasi, a symbol of good luck because of her auspicious presence as the wife of the god, was important. Both God and his manifestation on earth, namely the king, had to be shown appropriate ritual respect. Waving the lighted lamp, the ‘Aarathi’, in the presence of the king and God, warded off the effects of the evil eye. It also ensured prosperity to the nation. The harbinger of this good fortune had to be the perennially auspicious woman, the Nityasumangali or Devadasi…
..
.
.
.
.
.
.
.
.
.
for more follow me and mark brainliast
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1
Two weaving communities are given below
1)
1)
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