Pablo Neruda poem poetry summary
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Keeping Quiet is a well-known poem by Pablo Neruda written in Spanish and later translated into the English Language. The writer is a Nobel Prize winner and wants to capture the attention of the readers to take some time from their busy schedule for introspection and retrospection. As the title “Keeping Quite” clearly describes the theme of the poem to stop everything and keeping quiet for sometime mentally as well as physicallyThe post wants the people to forget all the differences we possess and to come under one umbrella. He advises that one should break all the hurdles or barriers of enmity, caste and creed, religion and country and get together to introspect ourselves. Despite having all the differences we should leave all the negatives for the better world and society around.
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Keeping Quiet is a well-known poem by Pablo Neruda written in Spanish and later translated into the English Language. The writer is a Nobel Prize winner and wants to capture the attention of the readers to take some time from their busy schedule for introspection and retrospection. As the title “Keeping Quite” clearly describes the theme of the poem to stop everything and keeping quiet for sometime mentally as well as physicallyThe post wants the people to forget all the differences we possess and to come under one umbrella. He advises that one should break all the hurdles or barriers of enmity, caste and creed, religion and country and get together to introspect ourselves. Despite having all the differences we should leave all the negatives for the better world and society around.
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If U satisfy This Ans
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Neruda
Poetry, Poem by Pablo Neruda
Like most of the 102 poems appearing in “Memorial to Isla Negra, “Poetry” is reflective in content. It starts with the conjunction “And” as if it were a part of an ongoing discussion that the poet has been having with his readers. Again, he assumes that we know what “that age” was when he first began to write poetry – Neruda started writing poetry in the early 1920s as a teenager).
Poetry Analysis
Stanza 1
What is amazing is Neruda’s deliberate inversion (this is a poetic talent or inspiration (described here in the form of a person – who comes looking for someone that will compose verses, rather than vice versa) in the very first line when he tells us that poetic’s inspiration came looking for him and impelling him to compose verse, rather than the poet looking for and pursuing her.
He isn’t very sure whether the poetic inspiration came to him through the elements of nature or such vital images in his mind. He is unable to understand whether it was an inaudible call or its absence or the solitude surrounding him. The meaning of “from winter or a river” refers to the elements of nature which inspire poetry and such vital images in a poet’s works. On the other hand, the meaning of “violent fires” is unrest, quarrels or emotional upheavals.
Thus, the very first stanza of the poem, which you can read in full here, tells us that the poetic instinct can come any time; it is not a matter of time. As we know some are born poets, while some become poets with the passage of time. It is only the time and tide that brings the poetry out of a person.
Stanza 2
In this second long stanza of the poem, the poet talks about the way he wrote his first line, and what made him to compose his “first faint line”—which means his initial, hesitant verses though the poet lacks in confidence when writing them. He says that there was something that started in his soul, it was either the “forgotten wings”—which means hidden or nameless emotions that could take flight or fever/fire that helped him make his own way and led him to write the first line. Through line 27: someone who knows nothing – the poet means a novice. The poet here acknowledges his ignorance before his muse, whereas through the line 30, he means the outpouring of inspiration which is described as though it were a miracle.
The inaudible voice of the poetic muse might have come from the pathways or avenues of the silent night that appeared to him like a tree spreading out its branches in various directions. However, the very “first faint line”, the poet wrote was the result of poetic inspiration searching him out as the favored one. Poetry appeared, almost literally, at his doorsteps like a long-lost friend or a sudden guest. The line 22: deciphering/that fire –refers to understanding that burning passion, while line 26: nonsense/pure wisdom – means the opposition between immaturity that conceals the maturity and seriousness that is about to come in his poetic endeavors.
Was she the poet’s mistress with whom he was destined to have a long and stimulating love affair?
Neruda’s poem reads like a flashback from a movie, filmed during his days at Temuco. His technique of repetition is more pronounced here, and it is a repetitive negation, such as, “No, they were not voices, they were not/words, nor silence. “There is something threatening about this visitor in his life, for the poet was “summoned” and he stood in his naked silence, divested of any identity: “there I was without a face/and it touched me.”
The poetic inspiration invested an identity on the poet – a moment when he felt knighted or honored in some very significant way.
In the same stanza we find those aspects of Neruda’s style that we are familiar with. There is love of the word play and the alternative phrase –“fever or forgotten wings” – to denote the turmoil created in him. Again, there is the play of opposites in “pure/nonsense/pure wisdom” when he wrote his “first faint line”. A little later, there are: “palpitating plantations/shadow perforated/riddled/with arrows, fire and flowers. /the winding night, the universe.” The verse: “palpitating plantations” – means cultivated fields which has so far been barren, but are now reverberating with life. The poet has used alliteration in this 33 line.
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Neruda
Poetry, Poem by Pablo Neruda
Like most of the 102 poems appearing in “Memorial to Isla Negra, “Poetry” is reflective in content. It starts with the conjunction “And” as if it were a part of an ongoing discussion that the poet has been having with his readers. Again, he assumes that we know what “that age” was when he first began to write poetry – Neruda started writing poetry in the early 1920s as a teenager).
Poetry Analysis
Stanza 1
What is amazing is Neruda’s deliberate inversion (this is a poetic talent or inspiration (described here in the form of a person – who comes looking for someone that will compose verses, rather than vice versa) in the very first line when he tells us that poetic’s inspiration came looking for him and impelling him to compose verse, rather than the poet looking for and pursuing her.
He isn’t very sure whether the poetic inspiration came to him through the elements of nature or such vital images in his mind. He is unable to understand whether it was an inaudible call or its absence or the solitude surrounding him. The meaning of “from winter or a river” refers to the elements of nature which inspire poetry and such vital images in a poet’s works. On the other hand, the meaning of “violent fires” is unrest, quarrels or emotional upheavals.
Thus, the very first stanza of the poem, which you can read in full here, tells us that the poetic instinct can come any time; it is not a matter of time. As we know some are born poets, while some become poets with the passage of time. It is only the time and tide that brings the poetry out of a person.
Stanza 2
In this second long stanza of the poem, the poet talks about the way he wrote his first line, and what made him to compose his “first faint line”—which means his initial, hesitant verses though the poet lacks in confidence when writing them. He says that there was something that started in his soul, it was either the “forgotten wings”—which means hidden or nameless emotions that could take flight or fever/fire that helped him make his own way and led him to write the first line. Through line 27: someone who knows nothing – the poet means a novice. The poet here acknowledges his ignorance before his muse, whereas through the line 30, he means the outpouring of inspiration which is described as though it were a miracle.
The inaudible voice of the poetic muse might have come from the pathways or avenues of the silent night that appeared to him like a tree spreading out its branches in various directions. However, the very “first faint line”, the poet wrote was the result of poetic inspiration searching him out as the favored one. Poetry appeared, almost literally, at his doorsteps like a long-lost friend or a sudden guest. The line 22: deciphering/that fire –refers to understanding that burning passion, while line 26: nonsense/pure wisdom – means the opposition between immaturity that conceals the maturity and seriousness that is about to come in his poetic endeavors.
Was she the poet’s mistress with whom he was destined to have a long and stimulating love affair?
Neruda’s poem reads like a flashback from a movie, filmed during his days at Temuco. His technique of repetition is more pronounced here, and it is a repetitive negation, such as, “No, they were not voices, they were not/words, nor silence. “There is something threatening about this visitor in his life, for the poet was “summoned” and he stood in his naked silence, divested of any identity: “there I was without a face/and it touched me.”
The poetic inspiration invested an identity on the poet – a moment when he felt knighted or honored in some very significant way.
In the same stanza we find those aspects of Neruda’s style that we are familiar with. There is love of the word play and the alternative phrase –“fever or forgotten wings” – to denote the turmoil created in him. Again, there is the play of opposites in “pure/nonsense/pure wisdom” when he wrote his “first faint line”. A little later, there are: “palpitating plantations/shadow perforated/riddled/with arrows, fire and flowers. /the winding night, the universe.” The verse: “palpitating plantations” – means cultivated fields which has so far been barren, but are now reverberating with life. The poet has used alliteration in this 33 line.
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