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For the past month, Rajasthan has been convulsed by a controversy over the Bollywood movie, Padmavati, based on Padmavat – a prose-poem written by Malik Muhammad Jayasi in 1540 CE which uses Alauddin Khilji’s conquest of Chittor in 1303 CE and his supposed obsession with Rani Padmini of Chittor as a backdrop for its ficitional tale.
None of the politicians and activists accusing the film maker of denigrating the honour of the Rajput queen of Chittor, Padmini, and glorifying the “Muslim conqueror Khilji” has even seen the film yet.
Much of the controversy is fuelled by ill-feeling towards Khilji, based on the fact that he was an oppressive ruler to his subjects, who were mostly Hindu. So the possibility of romance – or even unrequited love – between a Muslim “villain” and a Hindu queen being depicted on screen, even as a fantasy, as has been rumoured, infuriates Hindu right-wing groups.
A portrait of Allauddin Khilji, made in the 17th century. Credit: Wikimedia
What is not well-known, however, is that Khilji, for all his faults, saved India from a fate much worse than even his own oppressive rule – that of the murderous Mongols, who tried to invade the Indian subcontinent six times during his reign as the sultan of Delhi, and failed miserably, thanks to his brilliance as a general, the quality, discipline, and bravery of his army and its commanders, and their superior military tactics.
What the Mongol invaders inflicted on Persia, the Caliphate of Baghdad, Russia, and elsewhere is well documented – genocide, the destruction of infrastructure, and the destruction of native culture, literature, and religious institutions. Their habit of leaving conquered countries as wastelands that would not spring back for at least a hundred years, and their tendency to rule even the regions they settled in, such as Russia, in an exploitative and backward way, are well-known to historians and laypersons alike.