questions on oral narratives
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“Oral narrative” is a term that covers a number of different types of storytelling: spontaneous conversational narrative (“natural narrative”); institutionalized oral narrative in an oral culture context; oral bardic poetry; simulations of orality in written texts by means of narrative strategies such as pseudo-orality or skaz. For narratology, oral narrative has been important at two different stages of the discipline. In Russian formalism (especially in the work of Propp) and during the 1960s (especially in the work of Bremond and Greimas) fairytales, which had their basis in orally transmitted storytelling, were used to analyze the deep structure of narrative and to discover functions of plot elements and typical actant structures (→ Character). More recently, Herman, Fludernik and others, inspired by discourse analysis, have concentrated on conversational storytelling both as an interesting type of narrative in and by itself and as a prototype of all narration. This work has additionally had a close affinity with cognitive studies (→ Cognitive Narratology). Institutionalized oral narrative as in the Homeric epics focuses on both the deep and the surface structure of narrative, analyzing plot-related motifs and the repetition of epitheta and formulae on the discourse level. The technique of pseudo-orality, finally, is a secondary phenomenon. It refers to the evocation of characters’ mode of utterance (especially in terms of dialect and colloquiality) in the written representation of speech.
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