Short notes on modern trends in Indian art. Class 12 Painting. No spam
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The modern trends in Indian Art were like this:-
- After learning the techniques of art in Europe, Rabindranath Tagore had spread effects of new experiments in new style.
- The artists started painting for their pleasure and satisfaction.
- They did not care for others likeness.
- They laid stress on impressionism in which they gave new metaphysical shape to their painting objects by their own typical imagination for having a sense entity.
- The colour compositional contrivance and texture have the specific touch and effect of Painter or artist since the days of Ravi Varma, Rabindranath Tagore and his followers and Amrita Shergill.
- Almost every artist of repute begin with one kind of representational or figuration or other finished with impressionism expressionism and port expressionism.
Rabindranath Tagore pioneered contemporary art, which he learned in Europe. The effects of the new experiments that were going place in western art spread to India at the same time. The artist began painting for his own joy and satisfaction in this new style. Modern artists were more concerned with the interests of others and created new or metaphysical shapes for living or visible objects through their own unique imagination, which they dubbed impressionism.
One of the most distinguishing features of contemporary Indian painting is that the methodological method has taken on a new significance. The form began to be seen as a distinct entity. And, as its importance grew, it pushed the content of a piece of art to the background. In fact, the reverse was true: form was not seen as a vehicle for substance. The methods inspired by and developed on excess elements, on the other hand, made the approach more sophisticated and added a new visual appeal. On a visual level, the artist had developed significantly, particularly in terms of the use of colour in the notion of form and structure, texture, and the use of unorthodox materials. In terms of colour, composition, and texture, a painting stood or fell.
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