Similarities and differences between the poetry of cynewulf and caedamon
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Old English Christian Poetry.
Religious poetry seems to have flourished in northern England-Northumbria-throughout the eight century, though most of it has survived only in West Saxon transcriptions of the late tenth century. Monks produced not only manuscripts, masonry, sculpture and missionaries but also a lot of Christian poetry. Much of it consists of retellings of books and episodes from the Old Testament. Much of this religious poetry is anonymous, but the names of two poets are known: CAEDMON (d.c. 670), the first English poet known by name, and CYNEWULF (late eighth or early ninth century). They wrote on biblical and religious themes. According to Bede Caedmon became the founder of a school of Christian poetry and the he was the first to use the traditional metre diction for Christian religious poetry. This period of Old English poetry is called "Caedmonian". All the old religious poems that were not assigned to Caedmon were invariably given to Cynewulf, the poet of the second phase of Old English Christian poetry. With Cynewulf, Anglo-Saxon religious poetry moves beyond biblical paraphrase into the didactic, the devotional, and the mystical. The four Anglo-Saxon Christian poems which have the name of Cynewulf are Christ, Juliana, Elene, and The Fates of the Apostles. All these poems possess both a high degree of literary craftsmanship and a note of mystical contemplation which sometimes rises to a high level of religious passion. One of the most remarkable poems written under the influence of the school of Cynewulf is The Dream of the Rood,by some it is attributed to the same Cynewulf, Andreas, and The Phoenix. Another significant Anglo-Saxon religious poem is the fragmentary Judith .The final part of Guthlac, a poem of 1370 lies, is probably Cynewulf's.
Religious poetry seems to have flourished in northern England-Northumbria-throughout the eight century, though most of it has survived only in West Saxon transcriptions of the late tenth century. Monks produced not only manuscripts, masonry, sculpture and missionaries but also a lot of Christian poetry. Much of it consists of retellings of books and episodes from the Old Testament. Much of this religious poetry is anonymous, but the names of two poets are known: CAEDMON (d.c. 670), the first English poet known by name, and CYNEWULF (late eighth or early ninth century). They wrote on biblical and religious themes. According to Bede Caedmon became the founder of a school of Christian poetry and the he was the first to use the traditional metre diction for Christian religious poetry. This period of Old English poetry is called "Caedmonian". All the old religious poems that were not assigned to Caedmon were invariably given to Cynewulf, the poet of the second phase of Old English Christian poetry. With Cynewulf, Anglo-Saxon religious poetry moves beyond biblical paraphrase into the didactic, the devotional, and the mystical. The four Anglo-Saxon Christian poems which have the name of Cynewulf are Christ, Juliana, Elene, and The Fates of the Apostles. All these poems possess both a high degree of literary craftsmanship and a note of mystical contemplation which sometimes rises to a high level of religious passion. One of the most remarkable poems written under the influence of the school of Cynewulf is The Dream of the Rood,by some it is attributed to the same Cynewulf, Andreas, and The Phoenix. Another significant Anglo-Saxon religious poem is the fragmentary Judith .The final part of Guthlac, a poem of 1370 lies, is probably Cynewulf's.
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