Stort of Pinocchio analysis
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Answer:
Pinocchio (/pɪˈnoʊkioʊ/ pih-NOH-kee-oh,[1] Italian: [piˈnɔkkjo]) is a fictional character and the protagonist of the children's novel The Adventures of Pinocchio (1883) by Italian writer Carlo Collodi.[2][3] Pinocchio was carved by a woodcarver named Geppetto in a Tuscan village. He was created as a wooden puppet but he dreams of becoming a real boy. He is notably characterized for his frequent tendency to lie, which causes his nose to grow.[4]
Pinocchio
The Adventures of Pinocchio character
Pinocchio.jpg
Original art by Enrico Mazzanti
First appearance
The Adventures of Pinocchio (1883)
Created by
Carlo Collodi
Information
Species
Wooden marionette (later Human)
Gender
Male
Family
Mister Geppetto (father)
Nationality
Italian
Pinocchio is a cultural icon. He is one of the most reimagined characters in children's literature. His story has been adapted into other media, notably the 1940 Disney film Pinocchio.[5]
Fictional character biography Edit
Main article: The Adventures of Pinocchio
Pinocchio, by Carlo Chiostri (1901)
Pinocchio's characterization varies across interpretations, but several aspects are consistent across all adaptations: Pinocchio is a puppet; Pinocchio's maker is Geppetto; and Pinocchio's nose grows when he lies.[6]
Pinocchio is known for having a short nose that becomes longer when he than being charming or endearing, is meant to serve as a warning. Collodi originally intended the story, which was first published in 1881, to be a tragedy. It concluded with the puppet’s execution. Pinocchio’s enemies, the Fox and the Cat, bind his arms, pass a noose around his throat, and hang him from the branch of an oak tree.[7]
a tempestuous northerly wind began to blow and roar angrily, and it beat the poor puppet from side to side, making him swing violently, like the clatter of a bell ringing for a wedding. And the swinging gave him atrocious spasms...His breath failed him and he could say no more. He shut his eyes, opened his mouth, stretched his legs, gave a long shudder, and hung stiff and insensible.
Clothing and character Edit
Pinocchio is a wooden marionette (a puppet that is manipulated with wires) and not a hand puppet (directly controlled from inside by the puppeteer's hand). But the piece of wood from which he is derived is animated, and so Pinocchio moves independently. Basically good, he often gets carried away by bad company and is prone to lying. His nose will become longer and longer once he starts lying to others.[3] Because of these characteristics he often finds himself in trouble. Pinocchio undergoes transformations during the novel: he promises The Fairy with Turquoise Hair to become a real boy, flees with Candlewick to the Land of Toys, becomes a donkey, joins a circus, and becomes a puppet again. In the last chapter, out of the mouth of The Terrible Dogfish with Geppetto, finally stops being a puppet and becomes a real boy (thanks to the intervention of the Fairy in a dream).
In the novel, Pinocchio is often depicted with a pointy hat, a jacket and a pair of colored, knee-length pants. In the Disney version, the appearance is very different, and the character is dressed in Tyrolean style, with Lederhosen and a hat with a feather.
Nose Edit
Pinocchio's nose is his best-known characteristic. It grows in length when he tells a lie: this appears in chapter XVI. Collodi himself, in Note gaie claims how "to hide the truth of a speculum animae (mirror of the soul) face [ ... ] is added to the true nose another papier-mache nose". There is an inconsistency, however, because his nose grows when it is first carved by Geppetto, without Pinocchio ever lying.
The nose appears only a couple of times in the story, but it reveals the Blue Fairy's power over Pinocchio when he acts disobediently. After struggling and weeping over his deformed nose, the Blue Fairy summons woodpeckers to peck it back to normal.
Literary analysis Edit
Some literary analysts have described Pinocchio as an epic hero. Like many Western literary heroes, such as Odysseus, Pinocchio descends into hell; he also experiences rebirth through metamorphosis, a common motif in fantasy literature.[8]
Before writing Pinocchio, Collodi wrote a number of didactic children's stories for the recently unified Italy, including a series about an unruly boy who undergoes humiliating experiences while traveling the country, titled Viaggio per l'Italia di Giannettino ("Little Johnny's voyage through Italy").[9] Throughout Pinocchio, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun.
The structure of the story of Pinocchio follows that of the folk-tales of peasants who venture out into the world but are naively unprepared for what they find, and get into ridiculous situations.[10]
Explanation:
A poor man named Geppetto wants to carve himself a marionette in order to make a living as a puppeteer . He is given a piece of enchanted wood, and as soon as Geppetto carves the puppet which he names Pinocchio, it begins abusing the old man.
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