summary of painted word
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Tom Wolfe, the prolific journalist and novelist who helped foment the New Journalism movement, died last month at 88. Many of Wolfe’s wide-ranging pieces have become standards in journalism classes for the inventive way he combined in them the style and structure of fiction with meticulous and thorough reporting, whether following Ken Kesey and his band of LSD-tripping Merry Pranksters on their drug-laden travails in The Electric Kool-Aid Acid Test (1968) or venturing into the subculture of custom cars in The Kandy-Kolored Tangerine Flake Streamline Baby (1965).
In 1975, Wolfe wrote The Painted Word, an incisive critique of contemporary art, and the world that surrounds it, which he lambasted for being too heavily dependent on verbiage, particularly the writings of figures like Clement Greenberg, Harold Rosenberg, and Leo Steinberg—all of whom at one point contributed to these pages. Like much of what Wolfe wrote—and said—it generated no small amount of controversy, and in the September 1975 issue of ARTnews Judith Goldman argued that he missed the mark in examining various problems that exist in the art world. But such criticism aside, the book remains a pillar of postwar art criticism, and one might say that he presciently identified the International Art English that plagues so much writing about art today. —Maximilíano Durón
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ok
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"painted" it is a word that mean coloured
like we draw any picture ,but it was not completed
so we use color to paint .
all thing are painted in world except water