The Park Street Home By KAMLA DAS summary in 200-250 words.
Answers
Answer:
Kamala Das was one of the most prominent feminist voices in the postcolonial era. She wrote in her mother tongue Malayalam as well as in English. To her Malayalam readers she was Madhavi Kutty and to her English patrons she was Kamala Das. On account of her extensive contribution to the poetry in our country, she earned the label ‘The Mother of Modern Indian English Poetry’. She has also been likened to literary greats like Sylvia Plath because of the confessional style of her writing. On the occasion of her birth anniversary, we look into the remarkable life of this literary icon.
Answer:
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Explanation:
read My Story during my degree classes, thanks to my teacher Ramamani, who had instilled a sort of curiosity about Kamala Das. The writer looked very rebellious and revolutionary and I instantly drawn towards her works and my teacher had given me to read Kamala’s autobiography My Story. After her demise, I just browsed few passages and here are a few which I got from various websites.
My Story is to date the best-selling woman’s autobiography in post-independence India. My Story is a chronologically ordered, linear narrative written in a realist style. It follows Kamala’s life from age four through British colonial and missionary schools favored by the colonial Indian elite; through her sexual awakening; an early and seemingly disastrous marriage; her growing literary career; extramarital affairs; the birth of her three sons; and, finally, a slow but steady coming to terms with her spouse, writing, and sexuality.
Over the years Kamala has proffered several contradictory accounts of the genesis of My Story. In her preface to the autobiography, Kamala claims that she began to write the text in the mid-1970s from her hospital bed as she grappled with a potentially fatal heart condition. She wrote the autobiography, she states, “to empty myself of all the secrets so that I could depart when the lime came, with a scrubbed-out conscience” and in order to pay mounting hospital bills. Since the publication of her autobiography, Kamala has repeatedly changed her stance on this topic in interviews and essays.
She has presented herself as either too bohemian to care about revealing her sexual adventures and her periods of mental breakdown or, conversely, as the submissive wife following the dictates of her husband who was apparently more eager than herself to cash in on a spiced-up and heavily fictionalized account of her life. And yet, at every opportunity Kamala reverts to the convention that she is India’s most unconventional woman writer with no regrets about her work or her foci.