The summary of the poem crossing the bar
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Explanation:
"Crossing the Bar" is a poem by the British Victorian poet Alfred, Lord Tennyson. The poem, written in 1889, is a metaphorical meditation on death, which sees the speaker comparing dying—or a certain way of dying—to gently crossing the sandbar between a coastal area and the wider sea/ocean. In essence, it is a poem that argues that death is in fact a kind of comfort, a point of view based on the speaker's religious faith in the afterlife. Accordingly, the speaker wants to die quietly and gently, without fear, reassured by the knowledge that what comes next is a meeting with God. "Crossing the Bar" was written shortly before Tennyson's own death, and is the poem that Tennyson wanted placed at the end of all future collections and editions of his poetry.
SUMMARY
I notice the sunset and evening star in the sky, and hear a sound calling for me loud and clear. I hope that the sandbar will not be disturbed when I go out to sea.
Instead, I want to be carried out on a tide moving so slowly it seems almost asleep, and which is too swollen to make a sound or create a wash. That's what I want when I return home to the depths of the great unknown.
Twilight comes with the evening bell, which will be followed by darkness. There don't need to be any sad goodbyes when I go.
Even though I'll be going far from this time and place, floating on the tide of death, I hope to meet God, who has been like my pilot in this journey, when I've made it across the bar
“Crossing the Bar” is a poem in which a speaker confronts the reality of imminent death—and finds a kind of peace in the thought of dying. Rather than being scared by death, the speaker presents it as a mere transition into another kind of life (specifically, the Christian afterlife). The speaker compares this to the crossing of a sandbar—the kind that marks the shift from a coastal area to a sea or ocean—and asks that there be no “sadness of farewell” on their behalf. The poem is thus inherently an argument in favor of accepting death, with the comforting knowledge of God’s love as solace.
The speaker senses their time on earth is near an end, noting the “sunset” and “evening star,” and even hearing a “clear call” that death is close at hand. This offers an opportunity for them to reflect on death. Building the metaphor of death as the crossing of a bar of sand, the speaker puts forward the idea that death is not something to fear—but just a quiet, near-seamless transition between two different states of being.
The poem opens with a kind of announcement, the speaker hearing the “clear call” that it is time for them to die. As the poem progresses and the speaker reveals their belief in the Christian God, it becomes apparent that the speaker sees this “call” as coming from God himself. Already, this establishes the idea that there is a God behind life and death, and that this coming death is part of God’s plan—that death should not be feared because it is designed by God, who has people’s best interests in mind.
As such, the speaker hopes that there “may be no moaning of the bar” when the speaker “put[s] out to sea.” Why “moan,” goes the speaker's argument, when death is part of God’s plan. In essence, the speaker is saying that they hope there is no fear, sadness, or pain when they die—on the speaker’s part or on the part of others. That’s because, ultimately, the speaker doesn’t see death as a true end.
The speaker prefers to die quietly, because to them that befits the belief that death is merely a transition. To disturb the sandbar, metaphorically speaking, would be to worry about death—to fear and even resist it. To die quietly on a metaphorical tide that is “too full for sound and foam,” seems the most appropriate way to die.
The speaker does, however, acknowledge that dying means going somewhere very far away from the earthly realm: “For tho’ from out our bourne of Time and Place / The flood may bear me far.” These lines draw a link between the ocean and eternity, putting forward the idea that the speaker is merely returning to the eternal realm from which they came. Indeed, the speaker believes that their life was part of God’s plan—and so too is their death.
In fact, this journey from the earthly to the spiritual realm is even something to look forward to. That’s because it’s only through dying that people can meet their “Pilot”—the Christian God. The speaker hopes to know God through death, to look at God “face to face.” Accordingly, the speaker is in a way quietly but eagerly expecting death—not living in fear of it. Death brings with it a new kind of knowledge and experience that isn’t available to the living. Most importantly, it leads to a reunion with God.
In summary, then, the poem insists that there is no reason to fear death. Instead, it argues that people should take solace in the rather paradoxical thought that death brings with it not an end, but a new beginning.
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Answer:
Crossing the Bar" is a poem by the British Victorian poet Alfred, Lord Tennyson. The poem, written in 1889, is a metaphorical meditation on death, which sees the speaker comparing dying—or a certain way of dying—to gently crossing the sandbar between a coastal area and the wider sea/ocean. In essence, it is a poem that argues that death is in fact a kind of comfort, a point of view based on the speaker's religious faith in the afterlife. Accordingly, the speaker wants to die quietly and gently, without fear, reassured by the knowledge that what comes next is a meeting with God. "Crossing the Bar" was written shortly before Tennyson's own death, and is the poem that Tennyson wanted placed at the end of all future collections and editions of his poetry.
Explanation:
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