what is picturesque landscape painting describe briefly
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The Picturesque
The Picturesque
The concept of the "picturesque" was created by the English clergyman, artist, and writer William Gilpin (1724 - 1804) in his 1768 art treatise Essay on Prints, in which he defined the picturesque — rather tautologically — as "that kind of beauty which is agreeable in a picture."
In later publications Gilpin developed the concept more fully. The picturesque may be thought of as halfway between the beautiful, with its emphasis on smoothness, regularity, and order; and the sublime, which is all about vastness, magnitude, and intimations of power; the picturesque must combine aspects of both of those. A picturesque landscape would have characteristics of roughness (which includes textured or variegated surfaces) — indeed, Gilpin wrote that "roughness forms the most essential point of difference between the beautiful and picturesque" — and an absence of regular or linear elements, and would effectively orchestrate a number of additional compositional elements: distance, light/shadow, "variety," and perspective. In Gilpin's words, "Picturesque composition consists in uniting in one whole a variety of parts...."
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Explanation:
The picturesque is an aesthetic category developed in the eighteenth-century to describe, in the words of artist and author William Gilpin (1724 – 1804), ‘that peculiar kind of beauty which is agreeable in a picture’. It was associated with fashionable landscape gardening, however its cultural significance extended far beyond this.
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