Question

what is sadara ,classification of ancient,medieval,modern ragas and historical development of time theory of ragas and notation of ragas

Answer 1

Explanation:

classification of ragas:

Number of Notes

Sampurna (Complete) Ragas : Ragas that contain all 7 notes of the octave are called Sampurna Ragas.

Shadav Ragas: Ragas that contain 6 notes of the octave in the scale are called Shadav Ragas.

Aurav Ragas: Ragas that contain 5 notes of the octave in the scale are called Audav Ragas.

The ragas are further named based on the number of notes in the Arohana (ascent) and the Avarohana (descent) of the scale.

Aurav - Aurav: The raga contains 5 notes in arohan and 5 notes in avarohan

Aurav - Shadav: The raga contains 5 notes in arohan and 6 notes in avarohan

Aurav - Sampurna: The raga contains 5 notes in arohan and all 7 notes on avarohan

Similarly we have ragas as Shadav-Aurav, Shadav-Shadav, Shadav-Sampurna, Sampurna-Aurav, Sampurna-Shadav, Sampurna-Sampurna

Based on Time

All ragas are divided into two groups as Poorva Ragas and Uttar Ragas.

Poorva Ragas: Poorva Ragas are sung between noon and midnight

Uttar Ragas: Uttar Ragas between midnight and noon.

Pricipal Raga Classification (6 Ragas, 36 Raginis)

Another division of ragas is the classification of ragas under the principal ragas:

The raga-ragini scheme is a classification scheme used from the 14th century to the19th century. It usually consists of 6 'male ragas each with 'wives' (raginis) and a number of sons (putras) and even daughters-in-law. As it did not agree with various other schemes, and the 'related' ragas had very little or no similarity, the raga-ragini scheme is no longer very popular. However, they define a very important fact of Indian Classical Music and the Raga system is that the ragas do have personality and can be imagined to have relationships with each other.

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