what is the massage that the new hangman wants to covey through his refusal of hangman the convict?
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Answer:
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Explanation:
Laurence Housman was born in Bromsgrove, Worcestershire, one of seven children including an
older brother and sister, the classical scholar and poet A. E. Housman and the writer Clemence
Housman. In 1871 his mother died, and his father remarried, to a cousin. After education at
Bromsgrove School, he went with his sister Clemence to study art at the Lambeth School of Art
and the Royal College of Art in London.
He first worked with London publishers by illustrating such works as George Meredith's Jump to
Glory Jane (1892), Jonas Lie's Weird Tales (1892), Christina Rossetti's Goblin Market (1893),
Jane Barlow's The End of Elfintown (1894) and his sister's novella The Were-Wolf (1896) in an
intricate Art Nouveau style. During this period, he also wrote and published several volumes of
poetry and a number of hymns and carols.
Housman turned more and more to writing after his eyesight began to fail. His first literary success
came with the novel An Englishwoman's Love-letters (1900), published anonymously. He then
turned to drama with Bethlehem (1902) and was to become best known and remembered as a
playwright. His other dramatic works include Angels and Ministers (1921), Little Plays of St.
Francis (1922) and Victoria Regina (1934) which was even staged on Broadway. Housman's play,
Pains and Penalties, about Queen Caroline, was produced by Edith Craig and the Pioneer Players.
Some of Housman's plays were scandalous for depicting biblical characters and living members
of the Royal House on stage, and many of them were performed only privately until the subsequent
relaxation of theatrical censorship. In 1937 the Lord Chamberlain ruled that no British sovereign
may be portrayed on the stage until 100 years after his or her accession. For this reason, Victoria
Regina could not be staged until the centenary of Queen Victoria's accession, 20 June 1937. This
was a Sunday, so the premiere took place the next day.
Housman also wrote children's fairy tales such as A Farm in Fairyland (1894) and fantasy stories
with Christian undertones for adults, such as All-Fellows (1896), The Cloak of Friendship (1905),
and Gods and Their Makers (1897).
A prolific writer with around a hundred published works to his name, his output eventually covered
all kinds of literature from socialist and pacifist pamphlets to children's stories. He wrote an
autobiography, The Unexpected Years (1937), which, despite his record of controversial writing,
said little about his homosexuality.
After his brother's A.E.'s death in 1936, Laurence was made literary executor, and over the next
two years brought out further selections of poems from his brother's manuscripts. His editorial
work has been deprecated recently: "The text of many poems was misrepresented: poems not
completed by Housman were printed as though complete; versions he cancelled were reinstated;
separate texts were conflated; and many poems were mis transcribed from the manuscripts."
Housman held political views that were controversial. He was a committed socialist and pacifist
and founded the Men's League for Women's suffrage with Henry Nevinson and Henry Brailsford
in 1907. He was also a member of the British Society for the Study of Sex Psychology and the
Order of Chaeronea.
In 1909 Laurence and sister Clemence founded the Suffrage Atelier, an arts and crafts society that
worked closely with the Women's Social and Political Union and Women's Freedom League. They
encouraged non-professional artists to submit work, and paid them a small percentage of the
profits. In 1911 the Anti-Suffrage Alphabet, written by Housman and edited by Leonora Tyson,
was published in London.
In 1945 he opened Housman’s Bookshop in Shaftesbury Avenue, London, founded in his honour
by the Peace Pledge Union, of which he was a sponsor. In 1959, shortly after his death, the shop
moved to Caledonian Road, where it is still a source of literature on pacifism and other radical
approaches to living.
After World War I, Laurence and Clemence left their Kensington home and moved to the holiday
cottage which they had previously rented in the village of Ashley in Hampshire. They lived there
until 1924, when they moved to Street, Somerset, where Laurence lived the last 35 years of his life
Answer:
The main message of the play The hangman is the evil of death sentences. It tells us that it is immoral to hang a person . The hangman feels that hanging a man is a murder in cold blood.
The principle theme of the play is the evil of loss of life sentences . It tells us that it's far immoral to dangle someone . The hangman feels that putting a man is a murder in bloodless blood. The subject of this play is that capital punishment have to be abolished .
In this play, unusual hero, the new hangman, refuses to carry out his share of work at the execution of a criminal. His revolt is against the inhumanity of taking a man's life in cold blood and the injustice of foisting such a terrible duty on a fellow man.
Summary of The New Hangman
The action of the one-act play takes place in the office of a prison. The Governor of the jail is told about the arrival of the new hangman. He is also informed that the Deputy Sheriff would be attending the impending hanging. The Chaplain has also been informed about the hanging which is taking place after twenty minutes.
The prisoner is a bit restless and is crying. He vomits his breakfast. Then he is given two drinks which make him feel better. The Governor directs to give him a third drink if he wants. Meanwhile, the Chaplain who is drunk comes. He has to be present at the hanging but he feels disgusted and indecent to be present at a hanging.
The new hangman informs the chaplain not to worry as he is not going to hang the prisoner. He considers hanging as the dirtiest job as it is without all honour and respect. By refusing to do the hanging in the nick of time, he saves the life of a man because no one else is ready to hang
the prisoner. The Governor is forced to report the matter to the Commissioner who informs the Governor that he would seek advice from the Home Office. The new hangman, therefore, goes away.
Outside the prison, a large crowd is waiting. When the hangman comes out, they cheer. The Hangman tells them everything that has happened as a result of his refusal to execute. The crowd makes a lot of noise and indulges in repeated cheering.
message
The message of this play is that capital punishment should be abolished. The author is strongly opposed to capital punishment. He considers it to be something like a murder.
He believes that the judgment against a criminal might not be the right one. The hangman says that the last time he assisted a hangman and they hanged a man who, he believed, was innocent. The others did not. But if the jury had been made to come and see their verdict carried out, they would have realized that the truth shows clearer on the drop sometimes than in the witness-box. If it was part of the law that judges and juries must be in at the death, there would be more acquittals. By refusing to hang the criminal, he saves a life. He registers a strong protest against capital punishment. He is the mouthpiece of the author. The writer speaks his inner feelings against capital punishment through the hangman.
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