Question

what is the texture of atin cu pung singsing
A. Monophonic
B. Homophonic
C. Polyphonic

Answer 1

Answer:

c. polyphonic

Explanation:

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Answer 2

Answer:

Explanation:

Monophonic:

The simplest musical texture is called monophony, and it consists of a melody (or "song"), usually performed by a single performer or instrument (such as a flute player), without any chords or harmonies. There are many monophonic traditional and folk songs. If a choir or other ensemble of singers performs the same melody in unison (exactly the same pitch) or with the same notes repeated at an octave, that tune is also regarded as monophonic (such as when men and women sing together). Another definition of monophony is when a complete melody is performed by two or more instruments or chanted by a choir at a fixed interval, such a perfect fifth (or "monophonic").

Homophonic:

Greek: v, homóphnos, from homós, "same," and phn, "sound, tone," homophony (/hmf()ni, ho-/; is a texture in music in which a primary part is supplemented by one or more additional strands that fill out the harmony.  While the other components play either single notes or a complex accompaniment, one melody dominates. This division of labour contrasts with equal-voice polyphony (in which related lines move independently of one another in rhythm and melody to create an even texture) and monophony (in which all parts move in unison or octaves). [4 Historically, tonality—which gave the soprano, bass, and inner voices unique harmonic functions—emerged concurrently with homophony and its varied responsibilities for parts.

Polyphonic:

Contrary to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony, polyphony is a form of musical texture made up of two or more simultaneous lines of independent melody.

The term "polyphony" is typically used in the context of the Western musical heritage to describe music from the late Middle Ages and Renaissance. Baroque styles like the fugue, which might be referred to be polyphonic, are typically referred to as contrapuntal. Additionally, polyphony was typically "pitch-against-pitch," "point-against-pitch," or "sustained-pitch" in one part with melismas of various lengths in another, as opposed to the species language of counterpoint.

The texture of atin cu pung singsing is Polyphonic.

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