who is N S Bendre explain his art work in detail ?
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Narayan Shridhar is N S bendre.. ⤵⤵⤵⬇✔✔✔↙
ayan Shridhar Bendre was hailed by the Times of India as the leading artist of his generation. For a brief period he taught M. F. Husain, helped him gain admission to the Sir J. J. School of Art in Bombay and encouraged other artists, including K. H. Ara, to persevere with their vocation. Ironically, as the modernist thrust of the artists that he had taught began to capture the imagination of the Indian art scene, Bendre’s own style became overlooked. In retrospect, however, he is considered to be one of the most significant Indian artists of the twentieth century. From the late 1960's, women become a focal point in Bendre's work. Although his technique had been adopted from western artistic movements, including the customary use of black and brown paint similar to that of the German expressionists, the inspiration for his work was always drawn directly from the world around him. These familiar scenes, idyllic vignettes of village women in bucolic settings, were painted with deceptively little modelling.
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Narayan Shridhar is N S bendre.. ⤵⤵⤵⬇✔✔✔↙
ayan Shridhar Bendre was hailed by the Times of India as the leading artist of his generation. For a brief period he taught M. F. Husain, helped him gain admission to the Sir J. J. School of Art in Bombay and encouraged other artists, including K. H. Ara, to persevere with their vocation. Ironically, as the modernist thrust of the artists that he had taught began to capture the imagination of the Indian art scene, Bendre’s own style became overlooked. In retrospect, however, he is considered to be one of the most significant Indian artists of the twentieth century. From the late 1960's, women become a focal point in Bendre's work. Although his technique had been adopted from western artistic movements, including the customary use of black and brown paint similar to that of the German expressionists, the inspiration for his work was always drawn directly from the world around him. These familiar scenes, idyllic vignettes of village women in bucolic settings, were painted with deceptively little modelling.
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