Write a flim review of any sci-fi film you watched recently
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i recently watch film name virus the flim is about the nipha virus come in kerala and they track were it is come .
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and this flim is a truestory it happen in kerala on 10 jun 2018 it came from a bat
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Peter Bradshaw on sci-fi
Science fiction has produced some of cinema's boldest and most glorious flights – in every sense. Sometimes patronised as kids' stuff, the genre seeks to look beyond the parochialism of most realist drama: to see other worlds and other existences, and therefore to look with a new, radically alienated eye at our own. Maybe something in the limitless possibilities of cinema itself spawned sci-fi.
George Meliès's A Trip to the Moon (1902) was one of early cinema's biggest hits. In the middle of the 20th century, sci-fi inhabited the B-picture world of monsters and rockets and intuited a "red scare" anxiety about aliens. At the end of the 60s, Stanley Kubrick's 2001: A Space Odyssey broke through into a new level of poetry and wonder. Films like Dark Star and Alien worked a satirical, pessimistic darkness into sci-fi, but George Lucas and Steven Spielberg together expressed its lighter, more hopeful strain.
In the 21st century, the Wachowskis' The Matrix sequels and Christopher Nolan's Inception have explored new, interior landscapes: the inner world of the mind may be the genre's new frontier.
Science fiction has produced some of cinema's boldest and most glorious flights – in every sense. Sometimes patronised as kids' stuff, the genre seeks to look beyond the parochialism of most realist drama: to see other worlds and other existences, and therefore to look with a new, radically alienated eye at our own. Maybe something in the limitless possibilities of cinema itself spawned sci-fi.
George Meliès's A Trip to the Moon (1902) was one of early cinema's biggest hits. In the middle of the 20th century, sci-fi inhabited the B-picture world of monsters and rockets and intuited a "red scare" anxiety about aliens. At the end of the 60s, Stanley Kubrick's 2001: A Space Odyssey broke through into a new level of poetry and wonder. Films like Dark Star and Alien worked a satirical, pessimistic darkness into sci-fi, but George Lucas and Steven Spielberg together expressed its lighter, more hopeful strain.
In the 21st century, the Wachowskis' The Matrix sequels and Christopher Nolan's Inception have explored new, interior landscapes: the inner world of the mind may be the genre's new frontier.
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