write a paragraph on dress of Indus valley cavillation time?
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Costumes
Our knowledge early Indian costume is based on the study of the sculpted figures and engraved seals found at the Indus valley sites. Both men and women are depicted wearing unstitched fabric draped around the body and variety of stitched clothes like tunics, cloaks, simple skirt and trousers.
indus-valley-priest-king
statues of priest-king draped in patterned robe or shawl
One of the statues discovered in Mahenjodaro is the bust of a man generally thought to be a priest, although he may be a nobleman or even a deity. His stately appearance is created partly by his meditative expression and partly by his meditative expression and partly by the formal drape of his patterned robe or shawl which must have evolved from a defined sartorial tradition.
Commons Bronze statuette of a Dancing girl, 4 1/4 inch high, from Mahenjodaro, Indus valley culture( 200-1800 BC) The Young woman is naked, her body is ornamented with a profusion of jewellery and her hair is elaborately dressed.
A second figurine, discovered in the same area, is a remarkably naturalistic sculpture of a lithe and graceful dancing girl. Her stance is relaxed and she wears no clothes but her arms and neck are heavily ornamented with jewellery.
In comparing these two statues, one might be tempted to conclude that a class difference existed between the people they represent, as each reflects a very different social interpretation of beauty and style. This may not be the case, as it has been suggested that the Indus valley civilization was multi-ethnic.
There are many theories about the ethnic identities of the people who lived in Ancient India. In order to establish a context for this study, it is important to understand something of the beliefs and practices of the pre-Aryan inhabitants.
There are native tradition was centred on the fertility cults and the worship of the mother goddess, whom the figurine of the dancing girl is said to represent. Stylistically, it can be described as sensual and is associated with the early fertility cults involving the worship of male and female deities of procreation, whose powers were called upon to induce creativity in all things and stimulate the varying pulse of life itself. This celebration of life has and still has a direct bearing on the evolution of clothing styles.
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