Write a summary on John Milton's Paradise Lost in 200 words
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The story opens in hell, where Satan and his followers are recovering from defeat in a war they waged against God. They build a palace, called Pandemonium, where they hold council to determine whether or not to return to battle. Instead they decide to explore a new world prophecied to be created, where a safer course of revenge can be planned. Satan undertakes the mission alone. At the gate of hell, he meets his offspring, Sin and Death, who unbar the gates for him. He journeys across chaos till he sees the new universe floating near the larger globe which is heaven. God sees Satan flying towards this world and foretells the fall of man. His Son, who sits at his right hand, offers to sacrifice himself for man's salvation. Meanwhile, Satan enters the new universe. He flies to the sun, where he tricks an angel, Uriel, into showing him the way to man's home.
Satan gains entrance into the Garden of Eden, where he finds Adam and Eve and becomes jealous of them. He overhears them speak of God's commandment that they should not eat the forbidden fruit. Uriel warns Gabriel and his angels, who are guarding the gate of Paradise, of Satan's presence. Satan is apprehended by them and banished from Eden. God sends Raphael to warn Adam and Eve about Satan. Raphael recounts to them how jealousy against the Son of God led a once favored angel to wage war against God in heaven, and how the Son, Messiah, cast him and his followers into hell. He relates how the world was created so mankind could one day replace the fallen angels in heaven.
Satan returns to earth, and enters a serpent. Finding Eve alone he induces her to eat the fruit of the forbidden tree. Adam, resigned to join in her fate, eats also. Their innocence is lost and they become aware of their nakedness. In shame and despair, they become hostile to each other. The Son of God descends to earth to judge the sinners, mercifully delaying their sentence of death. Sin and Death, sensing Satan's success, build a highway to earth, their new home. Upon his return to hell, instead of a celebration of victory, Satan and his crew are turned into serpents as punishment. Adam reconciles with Eve. God sends Michael to expel the pair from Paradise, but first to reveal to Adam future events resulting from his sin. Adam is saddened by these visions, but ultimately revived by revelations of the future coming of the Savior of mankind. In sadness, mitigated with hope, Adam and Eve are sent away from the Garden of Paradise.
Satan gains entrance into the Garden of Eden, where he finds Adam and Eve and becomes jealous of them. He overhears them speak of God's commandment that they should not eat the forbidden fruit. Uriel warns Gabriel and his angels, who are guarding the gate of Paradise, of Satan's presence. Satan is apprehended by them and banished from Eden. God sends Raphael to warn Adam and Eve about Satan. Raphael recounts to them how jealousy against the Son of God led a once favored angel to wage war against God in heaven, and how the Son, Messiah, cast him and his followers into hell. He relates how the world was created so mankind could one day replace the fallen angels in heaven.
Satan returns to earth, and enters a serpent. Finding Eve alone he induces her to eat the fruit of the forbidden tree. Adam, resigned to join in her fate, eats also. Their innocence is lost and they become aware of their nakedness. In shame and despair, they become hostile to each other. The Son of God descends to earth to judge the sinners, mercifully delaying their sentence of death. Sin and Death, sensing Satan's success, build a highway to earth, their new home. Upon his return to hell, instead of a celebration of victory, Satan and his crew are turned into serpents as punishment. Adam reconciles with Eve. God sends Michael to expel the pair from Paradise, but first to reveal to Adam future events resulting from his sin. Adam is saddened by these visions, but ultimately revived by revelations of the future coming of the Savior of mankind. In sadness, mitigated with hope, Adam and Eve are sent away from the Garden of Paradise.
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Andrew Marvell’s poem chronicles his reactions to the artistic merit of John Milton’s Paradise Lost (1667) in seven verse paragraphs of fifty-four rhymed iambic pentameter lines. The opening sentence forms a grammatical unit of ten lines. The remaining lines, marked with a grammatical pause at the end of each couplet, follow the poetic practice of end-stopped couplets.
Initially, Marvell contrasts Milton’s “slender Book” with its “vast Design,” its Christian topic of salvation history and its cosmic scope of infinite time and space. He fears that Milton will mar or disfigure “sacred Truths” by expressing them through, or by confining them within, the devices of an epic poem, a pagan or nonbiblical art form.
As a critic seeking to illuminate Milton’s epic for himself and for other readers, he maintains his integrity and a sense of perspective. He reads the poem carefully, assimilates the overall meaning, and describes, analyzes, and evaluates both substance and style. He candidly expresses his fears regarding the main features of Paradise Lost and Milton’s own motivation in writing it.
In addition, Marvell maintains his independence as a poet. For example, he knows that Milton virtually created a new poetic medium of narrative blank verse and acknowledges its superiority to rhyme. Nevertheless, he does not abandon rhyme in praising Milton’s unrhymed verse. Instead, with gentle irony, he asks Milton to overlook his rhyme. Once he has grasped the poem as a whole, Marvell realizes that his doubts, though well intended, are “causeless.” He does not, however, explain the exact reasons for his change of mind. He conveys his conclusions through assertion and through a change of attitude or tone. He demonstrates the assurance that grows out of wide literary knowledge and a principled, independent stance. His praise of Milton communicates itself as accurate and sincere, rendered by someone qualified to give it.
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Andrew Marvell’s poem chronicles his reactions to the artistic merit of John Milton’s Paradise Lost (1667) in seven verse paragraphs of fifty-four rhymed iambic pentameter lines. The opening sentence forms a grammatical unit of ten lines. The remaining lines, marked with a grammatical pause at the end of each couplet, follow the poetic practice of end-stopped couplets.
Initially, Marvell contrasts Milton’s “slender Book” with its “vast Design,” its Christian topic of salvation history and its cosmic scope of infinite time and space. He fears that Milton will mar or disfigure “sacred Truths” by expressing them through, or by confining them within, the devices of an epic poem, a pagan or nonbiblical art form.
As a critic seeking to illuminate Milton’s epic for himself and for other readers, he maintains his integrity and a sense of perspective. He reads the poem carefully, assimilates the overall meaning, and describes, analyzes, and evaluates both substance and style. He candidly expresses his fears regarding the main features of Paradise Lost and Milton’s own motivation in writing it.
In addition, Marvell maintains his independence as a poet. For example, he knows that Milton virtually created a new poetic medium of narrative blank verse and acknowledges its superiority to rhyme. Nevertheless, he does not abandon rhyme in praising Milton’s unrhymed verse. Instead, with gentle irony, he asks Milton to overlook his rhyme. Once he has grasped the poem as a whole, Marvell realizes that his doubts, though well intended, are “causeless.” He does not, however, explain the exact reasons for his change of mind. He conveys his conclusions through assertion and through a change of attitude or tone. He demonstrates the assurance that grows out of wide literary knowledge and a principled, independent stance. His praise of Milton communicates itself as accurate and sincere, rendered by someone qualified to give it.
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have a great day
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