write about the history and practice of handicrafts in your area
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Crafts of Gujarat
Gujarat is renowned for its textile production methods. Bordering Rajasthan, the two states share similarities in culture and identity. The ancient Indus Valley Civilization inhabited the entire region, including Rajasthan and Punjab during Medieval India. [5] They embarked on this textile industry in Gujarat. Within textile production, each caste is assigned to an occupation of its own. These are, weaving, dyeing and printing. For example, the Salvi caste is assigned to weaving. [6] Garment producers bring these elements together to form the identity of Gujarati textiles. Direct application is a method also symbolic to Gujarati garments. Paint and other applicants are used to form patterns on fabric for dupattas, ghagras (long skirt) and turbans. Block printing is a widely used form of direct application. In Bandhani , a unique Gujarati craft, fabric is tied at different sections before dyeing to create patterns. [7] This foundation of forming patterns through dyeing has emerged from the rural communities of this state. Along with the complete image of a Gujarati woman are large bangles made of ivory and plastic, these are symbols of a married woman. Conch shell and shellac bangles are the most common. Conch shell bangles are plain white with a light shade of a brighter colour where as shellac bangles are shaped as a shell, painted and decorated with glitter. [8] These have in recent years become an accessory in both domestic and international markets..
Crafts of Assam
To the far eastern region of India is Assam. A state recognized for its creative use of raw materials in textiles and crafts. Assam was one of the states whose craftwork was exhibited in the National Handicrafts and Handborn Museum in 2010, showcased to first lady, Michelle Obama. [9] Production of silk fabrics is iconic of Assamese textiles. Silk is the most valued raw material of Assam, with the Antheraea assama worm producing the unique muga silk. [10] It is mostly the duty of women to construct silk fabrics, using a domestic backstrap loom . [11] Mahatma Gandhi had noted ‘Assamese women are born weavers, they weave fairy-tales in their cloth’. [11] Domestic weaving is an important craft for Assamese women, their marriage and future is seen as reliant upon this skill. At some stage, an unmarried girl would present a hand made bihuan to her beloved. [12] Weaving holds a significant moral and cultural value in Assam. The silk and textile industry is also an economic resource to the state with over 25000 families associated with this craft.[10] Cane and bamboo crafts are also unique to Assam, the result of heavy physical work. Ridang, suli, lezai and long cane are a natural resource to the state. [13] The finest cane is chopped and reduced to thin strips then woven into sheets. It is attached to the frame of a furniture piece, usually made out of bamboo sticks. They are also used as mats, providing comfort in summer. [13] The trend of this sitalpati [13] mat is also seen in Punjab in which a woven mat attached to a frame becomes a charpai. The crafts of Assam are reliant upon the raw materials of the state also making them unique.
Crafts of South India
The diversity of religious beliefs has had a great impact on the crafts of Southern India. The region has seen the rule of various empires such as the Mughal, Portuguese, Dutch, French and British. [14] Each has left their mark of style on traditional crafts. The craft industry of South India has established itself commercially in the nation, whilst reflecting a long history of foreign rule. Dravidian style, stone carved temples reflect the influence of Hinduism whilst Roman Catholic churches echo the impact of the British rule. [14] Temple carvings are symbolic of the craft skills in the Tamil Nadu region. The Meenakshi temple of Madurai typifies the skills and devotion put into this craftwork. [15] Each section of the temple is a sacred shrine to a deity. North of Tamil Nadu is Karnataka, a region renowned for its wood and stone craftwork. The forests of this region provide extensive supplies of raw materials, mostly rosewood. For wood workers, crafting statues for large temples is a major source of income. The forms of characters from Hindu mythology are carefully shaped with a chisel.
Soapstone is also commonly used to carve statues giving them a unique textural quality and smooth finish. [16]
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The metropolis of India is not only recognized for its magnificent historical achievements but also for some excellent arts and crafts. In particular, the arts and crafts of Delhi have condescended since from the events of the royals. As a social center of its time, Delhi interested the best of artisans, composers, and dancers.
Just like its paintings, handicrafts in New Delhi have been functioned since times immemorial. Notably, the silver and gold enameling and zari fabrication in the gold string work and specialized panoramas of the town have been totally popular for ages. Other fine manufacturers of Delhi combine potters, wooden toy producers, kite makers, varnish manufacturers and so on.
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