Question

Write an essay on types of limbs of art?​

Answer 1

Answer:

THE SIX LIMBS OF INDIAN ART

THE SIX LIMBS OF INDIAN ARTThe creation of an artwork begins in the lights of certain canons but ends in the frenzy which itself is the soul of all canons.

THE SIX LIMBS OF INDIAN ARTThe creation of an artwork begins in the lights of certain canons but ends in the frenzy which itself is the soul of all canons.In the idealization of reality the artist has to invest his inner intuitive power besides the dictates of senses. These laws are the creation of those who could churn the gems from the ocean of their evolved consciousness empowered by the sublime. Be it Chitrasutra,Kamasutra or Natyashatra, all such laws have been formulated by the saint in all these Indian texts. Art enables the unification with the eternal, the indefinable. It is the journey beyond the tangible and the absorption of the universality. As Thomas Merton rightly said, “Art enables us to find ourselves and lose ourselves at the same time”.

THE SIX LIMBS OF INDIAN ARTThe creation of an artwork begins in the lights of certain canons but ends in the frenzy which itself is the soul of all canons.In the idealization of reality the artist has to invest his inner intuitive power besides the dictates of senses. These laws are the creation of those who could churn the gems from the ocean of their evolved consciousness empowered by the sublime. Be it Chitrasutra,Kamasutra or Natyashatra, all such laws have been formulated by the saint in all these Indian texts. Art enables the unification with the eternal, the indefinable. It is the journey beyond the tangible and the absorption of the universality. As Thomas Merton rightly said, “Art enables us to find ourselves and lose ourselves at the same time”.A work of art is more than the visual manifestation, the paint daubs and the empty spaces. It is not just the form but the formless (the vayanjana) that completes the aura of an artwork. Indian aesthetics believes in this dual inextricable relationship of the Sensuous and volitional. And to achieve such transcendental duality, ancient Indian liturgical texts lay the most important canons of Indian Art in the form of Shadang.