essay on drama and real life 750 words
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Drama and Life Although the relations between drama and life are, and must be, of the most vital character, in the history of drama itself these do not seem to have been at all times, consistently in view. The earliest and best known drama, this side of the Caucasus, is that of Greece. I do not propose to attempt anything in the nature of a historical survey but cannot pass it by. Greek drama arose out of the cult of Dionysos, who, god of fruitage, joyfulness and earliest art, offered in his life-story a practical groundplan for the erection of a tragic and a comic theatre. In speaking of Greek drama it must be borne in mind that its rise dominated its form. The conditions of the Attic stage suggested a syllabus of greenroom proprieties and cautions to authors, which in after ages were foolishly set up as the canons of dramatic art, in all lands. Thus the Greeks handed down a code of laws which their descendants with purblind wisdom forthwith advanced to the dignity of inspired pronouncements. Beyond this, I say nothing. It may be a vulgarism, but it is literal truth to say that Greek drama is played out.l For good or for bad it has done its work, which, if wrought in gold, was not upon lasting pillars. Its revival is not of dramatic but of pedagogic significance. Even in its own camp it has been superseded. When it had thriven over long in hieratic custody and in ceremonial form, it began to pall on the Aryan genius. A reaction ensued, as was inevitable; and as the classical drama had been born of religion, its follower arose out of a movement in literature. In this reaction England played an important part, for it was the power of the Shakespearean clique that dealt the deathblow to the already dying drama.
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