Explain poem ozymandias
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The lesson is important in Europe: France’s hegemony has ended, and England’s will end sooner or later. Everything about the king’s “exploits” is now gone, and all that remains of the dominating civilization are shattered “stones” alone in the desert. Note the use of alliteration to emphasize the point: “boundless and bare”; “lone and level.”
It is important to keep in mind the point of view of “Ozymandias.” The perspective on the statue is coming from an unknown traveler who is telling the speaker about the scene. This helps create a sense of the mystery of history and legend: we are getting the story from a poet who heard it from a traveler who might or might not have actually seen the statue. The statue itself is an expression of the sculptor, who might or might not have truly captured the passions of the king. Our best access to the king himself is not the statue, not anything physical, but the king’s own words.
Poetry might last in a way that other human creations cannot. Yet, communicating words presents a different set of problems. For one thing, there are problems of translation, for the king did not write in English. More seriously, there are problems of transcription, for apparently Shelley’s poem does not even accurately reproduce the words of the inscription.
Finally, we cannot miss the general comment on human vanity in the poem. It is not just the “mighty” who desire to withstand time; it is common for people to seek immortality and to resist death and decay. Furthermore, the sculptor himself gets attention and praise that used to be deserved by the king, for all that Ozymandias achieved has now “decayed” into almost nothing, while the sculpture has lasted long enough to make it into poetry. In a way, the artist has become more powerful than the king. The only things that “survive” are the artist’s records of the king’s passion, carved into the stone.
Perhaps Shelley chose the medium of poetry in order to create something more powerful and lasting than what politics could achieve, all the while understanding that words too will eventually pass away. Unlike many of his poems, “Ozymandias” does not end on a note of hope. There is no extra stanza or concluding couplet to honor the fleeting joys of knowledge or to hope in human progress. Instead, the traveler has nothing more to say, and the persona draws no conclusions of his own.
It is important to keep in mind the point of view of “Ozymandias.” The perspective on the statue is coming from an unknown traveler who is telling the speaker about the scene. This helps create a sense of the mystery of history and legend: we are getting the story from a poet who heard it from a traveler who might or might not have actually seen the statue. The statue itself is an expression of the sculptor, who might or might not have truly captured the passions of the king. Our best access to the king himself is not the statue, not anything physical, but the king’s own words.
Poetry might last in a way that other human creations cannot. Yet, communicating words presents a different set of problems. For one thing, there are problems of translation, for the king did not write in English. More seriously, there are problems of transcription, for apparently Shelley’s poem does not even accurately reproduce the words of the inscription.
Finally, we cannot miss the general comment on human vanity in the poem. It is not just the “mighty” who desire to withstand time; it is common for people to seek immortality and to resist death and decay. Furthermore, the sculptor himself gets attention and praise that used to be deserved by the king, for all that Ozymandias achieved has now “decayed” into almost nothing, while the sculpture has lasted long enough to make it into poetry. In a way, the artist has become more powerful than the king. The only things that “survive” are the artist’s records of the king’s passion, carved into the stone.
Perhaps Shelley chose the medium of poetry in order to create something more powerful and lasting than what politics could achieve, all the while understanding that words too will eventually pass away. Unlike many of his poems, “Ozymandias” does not end on a note of hope. There is no extra stanza or concluding couplet to honor the fleeting joys of knowledge or to hope in human progress. Instead, the traveler has nothing more to say, and the persona draws no conclusions of his own.
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