Summary of parda story written by Yashpal
Answers
The story is actually written by an Indian author ( I am forgetting the name ) and I studied it in 6th or 7th standard. And its relevance is still felt today.
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Parda
Choudhari Peerbakhsh, is the head of a large lower middle-class family. His forefathers were relatively well-to-do though the Choudhari’s immediate family has to survive with his meager salary of Rs 18 as a low-paid clerk in an oil mill. The salary has progressively risen in the past fifteen years from Rs 12 but this rise has not been enough to take care of the ever-growing family of an old mother, the couple and their five offspring.
They stay in a rented house in a run-down working class locality with cobblers, washermen and laborers as neighbors. Choudhari is respected in his neighborhood thanks to his white-collared job and the fact that there is a parda (curtain) at the entrance door to his house.
The parda is what protects the dignity of the Choudhari household, both literally and figuratively. Over generations the quality of the parda has degenerated, but a parda is a parda, irrespective of the material it is made of. The Choudhari is forever in penury, his salary refuses to keep pace with the growth in his family and the rising cost of living. His employer is loathe to give him advances and loans and consequently he takes recourse to the Pathan money-lender (“kabuli wallah”). The Pathan is easy with the loan but is tough on recovery.
When Choudhari misses an installment, the Pathan makes a big ruckus and haunts the Choudhari day and night to recover it. The Choudhari tries to escape the visits of the Pathan till one morning he is accosted for the dues. The Choudhary pleads helplessness which the Pathan does not unbelieve.
Thanks to the parda which hangs on the main door, the Pathan believes that the Choudhari is well-to-do and has assets hidden inside the house. Finally, in desperation, the Pathan tugs at the parda which falls off exposing the near naked female members of the household who have only this parda to take care of their modesty.
The neighbors, who have been watching the going-on turn their heads away, the Pathan walks away in shame while the Choudhari faints in abject humiliation.
When he regains consciousness he has no motivation to reinstall the parda as he now stands totally defeated and realizes that the parda, which concealed the household’s penury has no purpose left to serve anymore
Answer:
The narrative was written by an Indian author (whose name I have forgotten) and I studied it in 6th or 7th grade. Its importance may still be felt today.
Rita Maker provided this image.
Explanation:
Parda
Choudhari Peerbakhsh is the leader of a vast family from the lower middle class. His forebears were well-off, but Choudhari's immediate family is struggling to make ends meet on his measly Rs 18 wage as a low-paid clerk at an oil plant. The wage has climbed steadily from Rs 12 over the last fifteen years, but it is still insufficient to support an aging mother, her spouse, and their five children.
The parda is what defends the Choudhari household's dignity, both physically and metaphorically. The quality of the parda has deteriorated with time, yet a parda remains a parda regardless of the material it is constructed of. The Choudhari is always poor; his wage does not keep up with his family's expansion or the growing expense of life. His employer is hesitant to provide him with advances or loans, so he turns to the Pathan moneylender ("kabuli wallah"). With the loan, the Pathan is simple, but When Choudhari fails to pay a payment, the Pathan raises a racket and stalks Choudhari at all hours of the day and night to retrieve it. The Choudhari attempts to avoid the Pathan's visits until one morning when he is confronted with his debts. The Choudhary claims helplessness, which the Pathan accepts. The Pathan believes the Choudhari is well-to-do and has valuables concealed within the home because of the parda that hangs on the main entrance. Finally, in despair, the Pathan tugs at the parda, causing it to come off, exposing the nearly nude female members of the family who rely only on the parda to maintain their modesty.