what happened in pin cushion incident
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The recorded origins of pincushions date back to the Middle Ages of Europe. In the English language, they became known by many names: "pimpilowes, pimpilos, pimplos, pimploes, pin-pillows, pin-poppets".[1] In 1376, Jehanne de Mesnil was bequeathed a silver pin case in a French text called Testament of Advice written by a woman known as La Monteure, from Rouen. Other references to pin cases during the Medieval era exist. By the 16th century, these were supplanted by references to "pyn pillows". Some examples from various parts of Europe survive that have elaborate embroidery. Small porcelain baskets with a pin cushion inside were highly popular, as were small cushions such as wedding pillows or maternity pillows, embroidered with messages.[2]
During the 18th century, weighted pincushions became popular among seamstresses. In England, seam clamps attached to a table and designed for holding hems for sewing became common, and were often in the shape of a bird (the tail would be pinched to open and close the "beak" to hold the fabric); attached to the back of the bird was a velvet pin cushion.[3]
One popular design—a tomato with a strawberry attached—was most likely introduced during the Victorian Era.[4] According to folklore, placing a tomato on the mantel of a new house guaranteed prosperity and repelled evil spirits. If tomatoes were out of season, families improvised by using a round ball of red fabric filled with sand or sawdust. The good-luck symbol also served a practical purpose—a place to store pins.[5] Typically, the tomato was filled with cotton, wool, horsehair, or sawdust[6] and the strawberry with emery powder, an abrasive to clean and sharpen the pins.
During the 18th century, weighted pincushions became popular among seamstresses. In England, seam clamps attached to a table and designed for holding hems for sewing became common, and were often in the shape of a bird (the tail would be pinched to open and close the "beak" to hold the fabric); attached to the back of the bird was a velvet pin cushion.[3]
One popular design—a tomato with a strawberry attached—was most likely introduced during the Victorian Era.[4] According to folklore, placing a tomato on the mantel of a new house guaranteed prosperity and repelled evil spirits. If tomatoes were out of season, families improvised by using a round ball of red fabric filled with sand or sawdust. The good-luck symbol also served a practical purpose—a place to store pins.[5] Typically, the tomato was filled with cotton, wool, horsehair, or sawdust[6] and the strawberry with emery powder, an abrasive to clean and sharpen the pins.
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