Write an essay on:-
''The heart lies and the head plays tricks with us, but the eyes see true''
Answers
• The lines are false indeed and I've observed it many times in my life. You can possibly imagine the example when it comes to your love life. Think of your love cheating you. What do you observe?
• Your eyes saw the thing yet your mind rejects it. Your mind sometimes makes you totally mad by making you think that you played a jesters role in his/her life. It plays with you. It neither accepts the fact nor rejects it and forces you to do various strange things, all weird and uncommon and sometimes suicide too.
• Coming next to your heart; it starts to lie to you. It says that what you saw wasn't the truth and it made you believe on that cheat again. It will ne'er accept the truth nor let you do it. It'll only make you feel that the other girl/boy is the wrong one and will make you take revenge from him/her, sometimes even kill them but will ne'er ever accept the cheat as the one to be guilty.
• And now the eyes; which can see and show you the truth yet sometimes make mistakes. Sometimes what you see isn't what you think of and what you think of, may not be the truth. It may be that your love was with his/her friend or any relative you have ne'er seen in your life. It is not always important that you believe your eyes or mind or your heart. What you see, already exists, isn't it?
• Remember, it takes only a few minutes to break love of years. You can't possibly be getting hyper, doing revenges and self harm! Just ask once what was all that about and tada! It'll be shown to you. If you were wrong, accept what you did, accept your mistake and if you were right; let them go wherever they want and just leave them, and try to forgive so that you may receive peace. After all, Forgiveness is the noblest revenge.
• You say – "The heart lies and the head plays tricks but the eye sees true." but I say – " Ne'er believe on none of them alone! Bring them together and think...whatever you're gonna do is right?"
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Answer:
There are plenty of fantasy authors who claim to be doing something different with the genre. Ironically, they often write the most predictable books of all, as evidenced by Goodkind and Paolini. Though I'm not sure why they protest so much--predictability is hardly a death sentence in genre fantasy.
The archetypal story of a hero, a villain, a profound love, and a world to be saved never seems to get old--it's a great story when it's told well. At the best, it's exciting, exotic, and builds to a fulfilling climax. At the worst, it's just a bloodless rehash. Unfortunately, the worst are more common by far.
Perhaps it was this abundance of cliche romances that drove Martin to aim for something different. Unfortunately, you can't just choose to be different, any more than you can choose to be creative. Sure, Moorcock's original concept for Elric was to be the anti-Conan, but at some point, he had to push his limits and move beyond difference for difference's sake--and he did.
In similar gesture, Martin rejects the allegorical romance of epic fantasy, which basically means tearing out the guts of the genre: the wonder, the ideals, the heroism, and with them, the moral purpose. Fine, so he took out the rollicking fun and the social message--what did he replace them with?
Like the post-Moore comics of the nineties, fantasy has already borne witness to a backlash against the upright, moral hero--and then a backlash against the grim antihero who succeeded him. Hell, if all Martin wanted was grim and gritty antiheroes in an amoral world, he didn't have to reject the staples of fantasy, he could have gone to its roots: Howard, Leiber, and Anderson.
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